Leo Brouwer, Manuel Barrueco made "Elogio de la danza · für Gitarre solo: II. Obstinato" available on 1989. The duration of Elogio de la danza · für Gitarre solo: II. Obstinato is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Elogio de la danza · für Gitarre solo: II. Obstinato's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Manuel Barrueco's "Manuel Barrueco Plays Villa-Lobos, Brouwer & Orbón" album is number 12 out of 16. On top of that, Germany appears to be the country where this track was created. Elogio de la danza · für Gitarre solo: II. Obstinato is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Elogio de la danza · für Gitarre solo: II. Obstinato by Leo Brouwer, Manuel Barrueco to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sicilienne | Gabriel Fauré, Cocomi, Miloš Karadaglić | E♭ Major | 0 | 5B | 140 BPM | ||
Woman´s Prayer | George Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | F Minor | 0 | 4A | 83 BPM | ||
El Negrito | Antonio Lauro, Adam Holzman | G Major | 1 | 9B | 82 BPM | ||
Dido and Aeneas, Z. 626: When I Am Laid in Earth (Arr. Trovesi for Chamber Ensemble) | Henry Purcell, Gianluigi Trovesi, Stefano Montanari, Stefano Rossi, Claudio Andriani, Francesco Galligioni, Luca Bandini, Riccardo Balbinutti, Ivano Zanenghi | G Minor | 0 | 6A | 75 BPM | ||
La Frontera de Dios: II. Meditacion | Regino Sáinz de la Maza, Franz Halász | E Minor | 1 | 9A | 117 BPM | ||
12 Songs for Guitar: No. 7, A Song of Early Spring (Arr. T. Takemitsu) | Akira Nakata, Shin-ichi Fukuda | A Major | 1 | 11B | 72 BPM | ||
Tissue No. 7 | Philip Glass, Camille Thomas, Julien Brocal | B♭ Major | 0 | 6B | 75 BPM | ||
Concerto For 2 Mandolins, Strings And Continuo In G, RV 532: 2. Andante | Antonio Vivaldi, Angel Romero, Pepe Romero, Academy of St. Martin in the Fields, Iona Brown | E Minor | 1 | 9A | 182 BPM | ||
Adelita, Mazurka | Philip Hemmo | E Major | 1 | 12B | 93 BPM | ||
El decameron negro: La huida de los amantes | Leo Brouwer, Elena Papandreou | F♯ Minor | 0 | 11A | 90 BPM |
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