"Dvořák: Serenade in D Minor, Op. 44, B. 77: IV. Finale. Allegro molto" by Antonín Dvořák, English Chamber Orchestra Wind Ensemble/Sir Charles Mackerras, English Chamber Orchestra Wind Ensemble was released on 1983. Dvořák: Serenade in D Minor, Op. 44, B. 77: IV. Finale. Allegro molto is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The song is number 9 out of 9 in Dvorak - String Serenade in E, Op.22 / Wind Serenade in D minor Op.44 by Antonín Dvořák, Sir Charles Mackerras, English Chamber Orchestra. Based on our statistics, Dvořák: Serenade in D Minor, Op. 44, B. 77: IV. Finale. Allegro molto's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Dvořák: Serenade in D Minor, Op. 44, B. 77: IV. Finale. Allegro molto by Antonín Dvořák, English Chamber Orchestra Wind Ensemble/Sir Charles Mackerras, English Chamber Orchestra Wind Ensemble is Allegro (fast, quick, and bright), since this song has a tempo of 156 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor, Allegretto grazioso | Antonín Dvořák, Alexandre Tharaud, Mariam Batsashvili | B Major | 0 | 1B | 95 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
La campanella in G-Sharp Minor (From "Grandes études de Paganini", S. 141 / 3) | Franz Liszt, Lang Lang | A♭ Minor | 3 | 1A | 88 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM |
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