"La Jolla: II. Largo" by Bohuslav Martinů, State Chamber Orchestra of Zilina, Jan Valta was released on January 1, 2009. La Jolla: II. Largo appears to be safe for all ages as it is not explicit. The track order of this song in Bohuslav Martinů, Various Artists's "Martinu: Orchestral Works - Madrigal" album is number 2 out of 10. La Jolla: II. Largo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Jolla: II. Largo by Bohuslav Martinů, State Chamber Orchestra of Zilina, Jan Valta to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 3 in C Major, Op. 26: I. Andante - Allegro | Sergei Prokofiev, Neeme Järvi, Royal Concertgebouw Orchestra, Horacio Gutiérrez | C Minor | 2 | 5A | 160 BPM | ||
Symphony No. 5: IV. Passacaglia. Moderato | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIII. Allegro alla breve | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Sextet for Piano, Clarinet, Horn and String Trio, Op. 37: IV. Finale. Allegro vivace, giocoso | Ernst von Dohnányi, Nash Ensemble | G Major | 3 | 9B | 170 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): I. Az intezett veszedelem (Threatening Danger) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 115 BPM | ||
Violin Concerto No. 1: I. Moderato | John Williams, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 1 | 9B | 122 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
Prelude a l'apres-midi d'un faune (feat. Andrew Davis) | Jeanne Baxtresser | A♭ Minor | 2 | 1A | 169 BPM |
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