"Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile" by Ludwig van Beethoven, György Cziffra was released on March 25, 2022. Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. The song is number 2 out of 13 in Beethoven: Sonates pour piano Nos. 8 "Pathétique", 10, 12 & 13 "Quasi una fantasia" by Ludwig van Beethoven, György Cziffra. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile by Ludwig van Beethoven, György Cziffra is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude in G major, Op. 32, No. 5 | Sergei Rachmaninoff, Valentin Magyar | G Major | 0 | 9B | 173 BPM | ||
Nocturne No. 6 in F Major, H 40 | John Field, Tyler Hay | B Major | 1 | 1B | 112 BPM | ||
Septet in E-Flat Major, Op. 20: II. Adagio cantabile | Ludwig van Beethoven, József Balogh, Jozsef Vajda, Jeno Kevehazi, Ildiko Hegyi, Gyözö Máthé, Péter Szabó, Istvan Toth | A♭ Major | 0 | 4B | 127 BPM | ||
Variations on a Theme by Rode "La Ricordanza", Op. 33: Var. IV: Sostenuto | Carl Czerny, Lucas Thomazinho | E♭ Major | 0 | 5B | 67 BPM | ||
Beethoven / Compl. Ries: Piano Sonata in C Major, WoO 51: II. Adagio | Ferdinand Ries, Ludwig van Beethoven, Georges Pludermacher | D Minor | 1 | 7A | 147 BPM | ||
Schumann: Carnaval, Op. 9: No. 14, Reconnaissance | Robert Schumann, György Cziffra | A♭ Major | 3 | 4B | 135 BPM | ||
Children's Corner, CD 119: IV. The Snow Is Dancing | Claude Debussy, Steven Osborne | E♭ Major | 2 | 5B | 121 BPM | ||
The Thicket Of Miracles | Konstantin Kokourov | F♯ Major | 0 | 2B | 66 BPM | ||
Grünfeld: Soirée de Vienne, Op. 56 (Paraphrase on Waltz Motives from Johann Strauss’ Die Fledermaus) | Alfred Grünfeld, Aurélien Pontier | F Minor | 0 | 4A | 72 BPM | ||
ella ama ella esta loca | loncho brabo | F Minor | 1 | 4A | 160 BPM |
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