Kumi Koda, VERBAL made "Till Morning Comes" available on March 27, 2002. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 14 in affection by Kumi Koda. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, Till Morning Comes's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Till Morning Comes by Kumi Koda, VERBAL is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Boys & Girls | Kumi Koda | A Minor | 7 | 8A | 82 BPM | ||
Crazy 4 U | Kumi Koda | D♭ Major | 9 | 3B | 127 BPM | ||
be alive | Yuki Koyanagi | E♭ Major | 6 | 5B | 122 BPM | ||
フレンズ | Ai Otsuka | D♭ Major | 4 | 3B | 112 BPM | ||
Trust Your Love | Kumi Koda | G Major | 6 | 9B | 99 BPM | ||
KISS or KISS | Nana Kitade | A♭ Major | 9 | 4B | 136 BPM | ||
悲しみがとまらない | Junichi Inagaki, Yuki Koyanagi | F♯ Minor | 7 | 11A | 129 BPM | ||
Crying | Emi Hinouchi | F♯ Major | 9 | 2B | 99 BPM | ||
真冬の帰り道 | Kohmi Hirose | C Major | 9 | 8B | 138 BPM | ||
君の声を | Kana Nishino, VERBAL | G Major | 7 | 9B | 95 BPM |
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