"The Sorcerer's Apprentice" by Paul Dukas, Konrad Leitner, Slowakische Philharmonie was released on January 1, 2009. The Sorcerer's Apprentice appears to be safe for all ages as it is not explicit. The song is number 1 out of 2 in Dukas: The Sorcerer's Apprentice - Saint-Saens: Danse Macabre by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Sorcerer's Apprentice is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Sorcerer's Apprentice by Paul Dukas, Konrad Leitner, Slowakische Philharmonie is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Ariane et Barbe-bleue: Act III: Adieu (Ariane, Selysette, Melisande, Bellingere) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, Cologne Radio Chorus, Cologne Radio Symphony Orchestra, Gary Bertini | F♯ Minor | 1 | 11A | 69 BPM | ||
Also sprach Zarathustra, Op.30: Prelude (Sonnenaufgang) | Richard Strauss, Los Angeles Philharmonic, Zubin Mehta | C Major | 2 | 8B | 140 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | B♭ Major | 3 | 6B | 89 BPM | ||
24 Caprices for Violin, Op. 1, MS. 25: No. 24 in A Minor | Niccolò Paganini, Salvatore Accardo | A Minor | 1 | 8A | 167 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
Ariane et Barbe-bleue: Act III: Prelude | Paul Dukas, Deborah Polaski, Jane Henschel, Kwangchul Youn, Ruxandra Donose, Stella Grigorian, Ileana Tonka, Nina Bernsteiner, Ante Jerkunica, Erik Arman, Markus Raab, Slovak Philharmonic Choir, Wiener Symphoniker, Bertrand de Billy | F Major | 3 | 7B | 74 BPM | ||
Beethoven: Symphony No. 5 in C Minor, Op. 67: III. Allegro - | Ludwig van Beethoven, Kurt Masur, New York Philharmonic | F Major | 3 | 7B | 88 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM |
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