The Sorcerer's Apprentice
Paul Dukas, Konrad Leitner, Slowakische Philharmonie
Dukas: The Sorcerer's Apprentice - Saint-Saens: Danse Macabre
11:28 January 1, 2009
BPM
116
Key
F Minor
Camelot
4A

Embed

Share Link

The Sorcerer's Apprentice - Paul Dukas, Konrad Leitner, Slowakische Philharmonie Information

Acousticness
94%
Danceability
36%
Energy
17%
Instrumentalness
61%
Liveness
5%
Loudness
59%
Speechiness
6%
Valence
10%
Popularity
Loudness
-24.307 dB

Summary

"The Sorcerer's Apprentice" by Paul Dukas, Konrad Leitner, Slowakische Philharmonie was released on January 1, 2009. The Sorcerer's Apprentice appears to be safe for all ages as it is not explicit. The song is number 1 out of 2 in Dukas: The Sorcerer's Apprentice - Saint-Saens: Danse Macabre by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Sorcerer's Apprentice is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Sorcerer's Apprentice BPM

The tempo marking of The Sorcerer's Apprentice by Paul Dukas, Konrad Leitner, Slowakische Philharmonie is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.

The Sorcerer's Apprentice Key

This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo by Gustav Holst, English Sinfonia, Howard GriffithsSt. Paul's Suite, Op. 29, No. 2: III. IntermezzoGustav Holst, English Sinfonia, Howard GriffithsE Minor19A132 BPM
Symphony No. 9 in E Minor, Op. 95 Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivaceAntonín Dvořák, New York Philharmonic, Alan GilbertC Major18B121 BPM
Ariane et Barbe-bleue: Act III: Adieu (Ariane, Selysette, Melisande, Bellingere) by Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, Cologne Radio Chorus, Cologne Radio Symphony Orchestra, Gary BertiniAriane et Barbe-bleue: Act III: Adieu (Ariane, Selysette, Melisande, Bellingere)Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, Cologne Radio Chorus, Cologne Radio Symphony Orchestra, Gary BertiniF♯ Minor111A69 BPM
Also sprach Zarathustra, Op.30: Prelude (Sonnenaufgang) by Richard Strauss, Los Angeles Philharmonic, Zubin MehtaAlso sprach Zarathustra, Op.30: Prelude (Sonnenaufgang)Richard Strauss, Los Angeles Philharmonic, Zubin MehtaC Major28B140 BPM
Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch by Paul Hindemith, WDR Sinfonieorchester Köln, Marek JanowskiSymphonic Metamorphosis of Themes by Carl Maria von Weber: IV. MarschPaul Hindemith, WDR Sinfonieorchester Köln, Marek JanowskiB♭ Major36B89 BPM
24 Caprices for Violin, Op. 1, MS. 25: No. 24 in A Minor by Niccolò Paganini, Salvatore Accardo24 Caprices for Violin, Op. 1, MS. 25: No. 24 in A MinorNiccolò Paganini, Salvatore AccardoA Minor18A167 BPM
Die Fledermaus: Overture by Johann Strauss II, Bavarian State Orchestra, Carlos KleiberDie Fledermaus: OvertureJohann Strauss II, Bavarian State Orchestra, Carlos KleiberD Major210B109 BPM
Ariane et Barbe-bleue: Act III: Prelude by Paul Dukas, Deborah Polaski, Jane Henschel, Kwangchul Youn, Ruxandra Donose, Stella Grigorian, Ileana Tonka, Nina Bernsteiner, Ante Jerkunica, Erik Arman, Markus Raab, Slovak Philharmonic Choir, Wiener Symphoniker, Bertrand de BillyAriane et Barbe-bleue: Act III: PreludePaul Dukas, Deborah Polaski, Jane Henschel, Kwangchul Youn, Ruxandra Donose, Stella Grigorian, Ileana Tonka, Nina Bernsteiner, Ante Jerkunica, Erik Arman, Markus Raab, Slovak Philharmonic Choir, Wiener Symphoniker, Bertrand de BillyF Major37B74 BPM
Beethoven: Symphony No. 5 in C Minor, Op. 67: III. Allegro - by Ludwig van Beethoven, Kurt Masur, New York PhilharmonicBeethoven: Symphony No. 5 in C Minor, Op. 67: III. Allegro -Ludwig van Beethoven, Kurt Masur, New York PhilharmonicF Major37B88 BPM
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) by Anton Arensky, Moscow Symphony Orchestra, Dmitry YablonskyEgipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse)Anton Arensky, Moscow Symphony Orchestra, Dmitry YablonskyC Minor05A82 BPM
ISRC
USSJ10817679
Label
L-M Records/RCA Records

Section: 0.7209188938140869

End: 0.7253618240356445