Pramita's ' "Aarti Laxmi Maata" was released on its scheduled release date, April 1, 2010. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Aarti Laxmi Maata's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 92 in Bhakti Sagar by Vikram. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Aarti Laxmi Maata is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Aarti Laxmi Maata by Pramita is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shyam Ardas | Avinash Karn | E Major | 8 | 12B | 98 BPM | ||
Aarti Kije Hanuman Lalla Ki | Jitender Singh | B♭ Major | 5 | 6B | 93 BPM | ||
Ek Baar Aao Ji Javai Ji | Rekha Rao, Mausami, Pooja, Mukesh Bagda | D♭ Major | 7 | 3B | 98 BPM | ||
Krishna Bhajan Aniruddhacharya ji Maharaj | Aniruddhacharya ji | G Minor | 5 | 6A | 141 BPM | ||
Ram Sai Bol Krishna Sai Bol | Pramod Medhi, Sachidanand Appa, Anupama, Nitin Diskalkar, Swapnil Bandodkar, Vaishali Samant, Shrikant Narayan, Mohd.Salamat | D♭ Major | 5 | 3B | 170 BPM | ||
Chal Kinjar Aabo Sangi | Mamta Chandrakar, Mithalesh, Kuleshwar Patel | A Minor | 7 | 8A | 148 BPM | ||
Beta Amru Re Mor | Ratan Sabiha | F Major | 5 | 7B | 150 BPM | ||
Tu Hi Tu Hi Tu Hi To Hai Mera Nandanandan | Swami Mukundananda | D Major | 4 | 10B | 85 BPM | ||
Mara Nakhna Parvada Jevi Chundadi - Original | Poonam Gondaliya | F Minor | 9 | 4A | 155 BPM | ||
Angra Ke Aagi | Shraddha, Sajal, Mithlesh Sahu | D♭ Major | 6 | 3B | 140 BPM |