"Préludes, Book 1, CD 125, L. 117: VIII. La fille aux cheveux de lin (Arr. for Flute & Piano by Ana de la Vega)" by Claude Debussy, Ana de la Vega, Paul Rivinius was released on 2022. The duration of Préludes, Book 1, CD 125, L. 117: VIII. La fille aux cheveux de lin (Arr. for Flute & Piano by Ana de la Vega) is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Préludes, Book 1, CD 125, L. 117: VIII. La fille aux cheveux de lin (Arr. for Flute & Piano by Ana de la Vega)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 4 in Debussy: Works for Flute & Piano by Claude Debussy, Ana de la Vega, Paul Rivinius. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Préludes, Book 1, CD 125, L. 117: VIII. La fille aux cheveux de lin (Arr. for Flute & Piano by Ana de la Vega) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Préludes, Book 1, CD 125, L. 117: VIII. La fille aux cheveux de lin (Arr. for Flute & Piano by Ana de la Vega) by Claude Debussy, Ana de la Vega, Paul Rivinius is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jave Suite: Part IV. In the Kraton | Leopold Godowsky, Esther Budiardjo | D♭ Minor | 0 | 12A | 68 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 12: Tempo di minuetto | Sergei Rachmaninoff, Yevgeny Sudbin, Singapore Symphony Orchestra, Lan Shui | G Major | 0 | 9B | 77 BPM | ||
Malta Suite for Clarinet and Piano: III. Il Kapcipa | Charles Camilleri, David Campbell, Julian Jacobson | A Minor | 2 | 8A | 139 BPM | ||
Mendelssohn: 6 Lieder, Op. 1: No. 2 Wanderlied | Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage | D♭ Major | 1 | 3B | 91 BPM | ||
2 Pieces: No. 1. The Moon | Benjamin Britten, Matthew Jones, Annabel Thwaite | G Major | 1 | 9B | 87 BPM | ||
Variations for Piano, Op. 48: Var. 4. Tempo primo | Xaver Scharwenka, Seta Tanyel | D Minor | 0 | 7A | 121 BPM | ||
Piano Trio in D Minor, Op. 120: III. Allegro vivo | Gabriel Fauré, Florestan Trio | G Major | 1 | 9B | 97 BPM | ||
Made Of Dreams | Return Of Dream | B♭ Minor | 2 | 3A | 172 BPM | ||
Suite populaire espagnole (Arr. for Cello & Piano): VI. Jota | Manuel de Falla, Duo Arnicans | E Major | 1 | 12B | 131 BPM | ||
Clarinet Sonata in D Major: II. Andante (quasi adagio) | Nino Rota, Goran Gojevic, Mary Kenedi | B♭ Major | 1 | 6B | 82 BPM |
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