Chiyo Okumura's ' "木遣りくずし - Live at 京都BELAMI / 1970.7.16-18" was released on its scheduled release date, 1970. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. 木遣りくずし - Live at 京都BELAMI / 1970.7.16-18's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ナイト・クラブの奥村チヨ (ナイトクラブの奥村チヨ), so we believe that "木遣りくずし - Live at 京都BELAMI / 1970.7.16-18" is a single. In terms of popularity, 木遣りくずし - Live at 京都BELAMI / 1970.7.16-18 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 木遣りくずし - Live at 京都BELAMI / 1970.7.16-18 by Chiyo Okumura is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
めまい | Kei Ogura | C Minor | 2 | 5A | 89 BPM | ||
さよならをするために~アコースティックバージョン~ | Billy Ban Ban | B Minor | 3 | 10A | 102 BPM | ||
エメラルドの伝説 | ザ・テンプターズ | D Minor | 4 | 7A | 124 BPM | ||
おもいで酒 | Sachiko Kobayashi | E♭ Minor | 4 | 2A | 173 BPM | ||
ウナ・セラ・ディ東京 | The Peanuts | G Minor | 3 | 6A | 96 BPM | ||
京都の恋 | Yuko Nagisa | G Minor | 5 | 6A | 146 BPM | ||
しおさいの詩 | Kei Ogura | A Minor | 1 | 8A | 182 BPM | ||
ハロー・グッバイ | Yoshie Kashiwabara | F Major | 6 | 7B | 139 BPM | ||
人として | Kaientai | G Major | 6 | 9B | 102 BPM | ||
いつでも夢を | Yukio Hashi, Sayuri Yoshinaga | B Major | 5 | 1B | 108 BPM |