Anonymous, Ensemble Correspondances, Sébastien Daucé's 'Le Concert royal de la Nuit, Seconde Veille, Vénus & les Grâces: La comédie muette d'Amphitrion, Sarabande pour une Espagnolle [suivie des Italiens]' came out on September 3, 2015. With Le Concert royal de la Nuit, Seconde Veille, Vénus & les Grâces: La comédie muette d'Amphitrion, Sarabande pour une Espagnolle [suivie des Italiens] being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ensemble Correspondances, Sébastien Daucé's "Le Concert royal de la Nuit" album is number 25 out of 68. On top of that, France appears to be the country where this track was created. Le Concert royal de la Nuit, Seconde Veille, Vénus & les Grâces: La comédie muette d'Amphitrion, Sarabande pour une Espagnolle [suivie des Italiens] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Concert royal de la Nuit, Seconde Veille, Vénus & les Grâces: La comédie muette d'Amphitrion, Sarabande pour une Espagnolle [suivie des Italiens] by Anonymous, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM | ||
Lauda Sion Salvatorem Sequentia (Fronleichnam) | Choir Of St. Abuscus | E♭ Major | 1 | 5B | 72 BPM | ||
Missa Gloria tibi Trinitas: Sanctus | John Taverner, Christ Church Cathedral Choir, Oxford, Stephen Darlington | D Minor | 2 | 7A | 71 BPM | ||
Recordare Virgo Mater | Monks Of The Abbey Of Notre Dame | G Major | 0 | 9B | 81 BPM | ||
Da Pacem Domine | Monks Of The Abbey Of Notre Dame | D Major | 0 | 10B | 43 BPM | ||
Allegri: Miserere - 05. Auditui Meo Dabis | The Tallis Scholars, Peter Phillips | A Major | 1 | 11B | 66 BPM | ||
Misa de Medianoche: Himno - Remastered | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | F♯ Minor | 1 | 11A | 95 BPM | ||
Kyrie Eleison: Iv Gregorianske Messe | Public Domaine, St. Hallvard-Guttene, Øistein Vogt | A Minor | 0 | 8A | 71 BPM | ||
La Messe: Kyrie IX | Choeur des moines de l'abbaye Notre Dame de Fontgombault | E Minor | 1 | 9A | 75 BPM | ||
Triswiatoje | St. Peter St. Paul Cathedral Choir of Minsk | E♭ Minor | 1 | 2A | 106 BPM |
Section: 0.4498331546783447
End: 0.4532618522644043