Franz Schubert, Melos Quartet made "String Quartet No. 2 in E Major, D. 353 (Op. Post. 125): IV. Rondo: Allegro vivace" available on January 1, 1999. With this song being about 5 minutes long, at 5:28, "String Quartet No. 2 in E Major, D. 353 (Op. Post. 125): IV. Rondo: Allegro vivace" by Franz Schubert, Melos Quartet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 56 in the song's album "Schubert: The String Quartets". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Based on our statistics, String Quartet No. 2 in E Major, D. 353 (Op. Post. 125): IV. Rondo: Allegro vivace's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With String Quartet No. 2 in E Major, D. 353 (Op. Post. 125): IV. Rondo: Allegro vivace by Franz Schubert, Melos Quartet having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Impromptus, Op. 90, D. 899: No. 1 in C Minor: Allegro molto moderato | Franz Schubert, Krystian Zimerman | C Minor | 0 | 5A | 105 BPM | ||
Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM | ||
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
Liebeslied, S. 566 (After Schumann’s Widmung, Op. 25 No. 1) | Franz Liszt, Rudolf Buchbinder | F♯ Major | 0 | 2B | 68 BPM | ||
48 Esquisses, Op. 63, Book 1: No. 1, La vision | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 127 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 4 in D Major | Sergei Rachmaninoff, Nikolai Lugansky | D Major | 0 | 10B | 78 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Symphony No.4 in D Minor, Op.12 No.4, G.506: 2. Andantino con moto I | Luigi Boccherini, Per Egland, Christian Lindberg, MIN Ensemble | C Minor | 1 | 5A | 97 BPM | ||
4 Impromptus, Op.90, D.899: No.3 in G Flat Major: Andante | Franz Schubert, Radu Lupu | F♯ Major | 0 | 2B | 173 BPM |
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