"Partita a 3 Nr.2 g-moll: I. Adagio -" by Georg Matthias Monn, Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani was released on 2000. With Partita a 3 Nr.2 g-moll: I. Adagio - being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Georg Matthias Monn, Lajos Rovátkay/Capella Agostino Steffani, Capella Agostino Steffani's "Monn: Sinfonie & Concerti" album is number 7 out of 19. Partita a 3 Nr.2 g-moll: I. Adagio - is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Partita a 3 Nr.2 g-moll: I. Adagio - by Georg Matthias Monn, Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Concerto for 2 Cellos in G Minor, RV 531: III. Allegro | Antonio Vivaldi, Keith Hurvey, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | G Minor | 2 | 6A | 124 BPM | ||
Concerto grosso No. 10 in F Major: II. Allegro | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | E Major | 2 | 12B | 70 BPM | ||
Symphony in E minor, H.I No. 44 -"Mourning": 3. Adagio | Joseph Haydn, English Chamber Orchestra, Daniel Barenboim | D Major | 3 | 10B | 105 BPM | ||
Symphony in C Major, J-C 4: II. Andante e affettuoso | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 131 BPM | ||
Konzert für Violoncello, Streicher & Basso continuo g-moll: III. Allegro non tanto | Georg Matthias Monn, Balázs Máté/Capella Agostino Steffani/Lajos Rovátkay, Lajos Rovatkay, Capella Agostino Steffani | F♯ Minor | 2 | 11A | 127 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: I. Allegro moderato | Luigi Boccherini, José Miguel Moreno, La Real Cámara | E♭ Minor | 1 | 2A | 118 BPM | ||
Suite For Cello And Orchestra, Op. 16: I. Prélude (moderato assai) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Minor | 0 | 7A | 77 BPM | ||
Horn Concerto No. 1 in D Major, Hob. VIId:3: II. Adagio | Franz Joseph Haydn, Felix Klieser, Württembergisches Kammerorchester Heilbronn, Ruben Gazarian | A Major | 0 | 11B | 119 BPM | ||
Concerto For Violin Concertato, Strings And Basso Continuo In A Minor, TWV 51:A1: Allegro | Georg Philipp Telemann, Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, William Conway, Enno Senft, Kristian Bezuidenhout, Stefan Maass, Stefan Rath | A Minor | 1 | 8A | 144 BPM |
Section: 0.59686279296875
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