"From Jewish Life: III. Jewish Song (Arr. C. Palmer)" by Ernest Bloch, Steven Isserlis, Tapiola Sinfonietta, Gábor Takács-Nagy was released on August 24, 2010. The duration of From Jewish Life: III. Jewish Song (Arr. C. Palmer) is about 3 minutes long, at 3:00. Based on our data, "From Jewish Life: III. Jewish Song (Arr. C. Palmer)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "reVisions". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Sweden. Based on our statistics, From Jewish Life: III. Jewish Song (Arr. C. Palmer)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With From Jewish Life: III. Jewish Song (Arr. C. Palmer) by Ernest Bloch, Steven Isserlis, Tapiola Sinfonietta, Gábor Takács-Nagy having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia Concertante in B-Flat Major, Hob. I:105: II. Andante | Joseph Haydn, Marieke Blankestijn, Steven Isserlis, Douglas Boyd, Matthew Wilkie, Sir Roger Norrington | E♭ Major | 1 | 5B | 128 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
Violin Concerto No. 2 in D Minor Op. 22: II. Romance. Andante ma non troppo | Henryk Wieniawski, Bomsori, Jacek Kaspszyk | B♭ Major | 1 | 6B | 96 BPM | ||
Lady Radnor's Suite: V. Slow Minuet | Hubert Parry, London Symphony Orchestra, Sir Adrian Boult | B♭ Major | 0 | 6B | 98 BPM | ||
Baal shem: 2. Nigun | Ernest Bloch, Tasmin Little, Piers Lane | G Minor | 2 | 6A | 87 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
La Scandinavie: III. Polska norvégien | Percy Grainger, Andreas Brantelid, Christian Ihle Hadland | D Major | 0 | 10B | 87 BPM | ||
African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 130 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Concerto for Cello and Orchestra in A Minor, Op. 129: Sehr lebhaft | Robert Schumann, Steven Isserlis, Christoph Eschenbach | C Major | 2 | 8B | 119 BPM |
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