Lesson 2, Part 7a, Ear-Training With Solfege in the La Minor, A Minor Scale, Theory (The Ninth Chord, Definitions)
David Livianu
Music Lessons 1 & 2: Theory and Ear-Training With Solfege, By Juilliard Scholar David Livianu
2:36 January 18, 2015
BPM
104
Key
B Major
Camelot
1B

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Lesson 2, Part 7a, Ear-Training With Solfege in the La Minor, A Minor Scale, Theory (The Ninth Chord, Definitions) - David Livianu Information

Acousticness
93%
Danceability
72%
Energy
29%
Instrumentalness
0%
Liveness
21%
Loudness
77%
Speechiness
53%
Valence
74%
Popularity
Loudness
-14.056 dB

Summary

David Livianu made "Lesson 2, Part 7a, Ear-Training With Solfege in the La Minor, A Minor Scale, Theory (The Ninth Chord, Definitions)" available on January 18, 2015. The duration of Lesson 2, Part 7a, Ear-Training With Solfege in the La Minor, A Minor Scale, Theory (The Ninth Chord, Definitions) is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Lesson 2, Part 7a, Ear-Training With Solfege in the La Minor, A Minor Scale, Theory (The Ninth Chord, Definitions)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in David Livianu's "Music Lessons 1 & 2: Theory and Ear-Training With Solfege, By Juilliard Scholar David Livianu" album is number 13 out of 36. On top of that, United States appears to be the country where this track was created. In terms of popularity, Lesson 2, Part 7a, Ear-Training With Solfege in the La Minor, A Minor Scale, Theory (The Ninth Chord, Definitions) is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Lesson 2, Part 7a, Ear-Training With Solfege in the La Minor, A Minor Scale, Theory (The Ninth Chord, Definitions) BPM

We consider the tempo marking of Lesson 2, Part 7a, Ear-Training With Solfege in the La Minor, A Minor Scale, Theory (The Ninth Chord, Definitions) by David Livianu to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Lesson 2, Part 7a, Ear-Training With Solfege in the La Minor, A Minor Scale, Theory (The Ninth Chord, Definitions) Key

B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

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ISRC
uscgh1581235
Label
L-M Records/RCA Records

Section: 0.70465087890625

End: 0.7087528705596924