- BPM
- 67
- Key
- G Minor
- Camelot
- 6A
Six Epigraphes Antiques, L. 131: 6. Pour remercier la pluie au matin - Valeria Szervánszky, Ronald Cavaye Information
- Acousticness
- 100%
- Danceability
- 12%
- Energy
- 1%
- Instrumentalness
- 86%
- Liveness
- 10%
- Loudness
- 43%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 15%
- Loudness
- -34.492 dB
Summary
"Six Epigraphes Antiques, L. 131: 6. Pour remercier la pluie au matin" by Valeria Szervánszky, Ronald Cavaye was released on January 7, 1995. The duration of Six Epigraphes Antiques, L. 131: 6. Pour remercier la pluie au matin is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Six Epigraphes Antiques, L. 131: 6. Pour remercier la pluie au matin's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Stravinsky: Le Sacre du printemps". In this album, this song's track order is #20. Six Epigraphes Antiques, L. 131: 6. Pour remercier la pluie au matin is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Six Epigraphes Antiques, L. 131: 6. Pour remercier la pluie au matin BPM
With Six Epigraphes Antiques, L. 131: 6. Pour remercier la pluie au matin by Valeria Szervánszky, Ronald Cavaye having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Six Epigraphes Antiques, L. 131: 6. Pour remercier la pluie au matin Key
The music key of this track is G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Salut d'amour, Op. 12 | Edward Elgar, Sueye Park, Love Derwinger | E Major | 1 | 12B | 83 BPM | |
 | Gymnopedie No. 1 | Takashi Yoshimatsu, Erik Satie, Pascal Rogé | G Major | 0 | 9B | 69 BPM | |
 | Sandalwood I | Jonny Greenwood | C Major | 3 | 8B | 100 BPM | |
 | Forgotten Waltz No. 2 | Nicholas Britell | G Minor | 1 | 6A | 146 BPM | |
 | The Falls - For Cello and Orchestra | Ennio Morricone, Mikael Samsonov, Pavel Lyubomudrov, Metamorphose String Orchestra | G Major | 0 | 9B | 75 BPM | |
 | Játékok (Games) for Piano - Book 2: 113. Waltz (2), 114. Knots (2), 115. Dialogue, 116. Antiphony in F-Sharp | Valeria Szervánszky, Ronald Cavaye | G Major | 0 | 9B | 111 BPM | |
 | 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 0 | 5B | 71 BPM | |
 | Walton: Henry V: Touch Her Soft Lips and Part | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | |
 | 6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | |
 | 12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7238831520080566
End: 0.7290694713592529