Cesare Sterbini, Gioachino Rossini, Pierre-Augustin Caron de Beaumarchais, Hermann Prey, Erika Köth, Richard Holm, Gottlob Frick, Berliner Symphoniker, Wilhelm Schüchter, Wilhelm Schuechter's 'Der Barbier von Sevilla (Il Barbiere di Siviglia) · Arien und Szenen in deutscher Sprache (2000 Digital Remaster), Act 2: Ist er's wirklich? (Rosine, Figaro, Graf Almaviva) (Ah, Qual Colpo)' came out on April 12, 2013. Der Barbier von Sevilla (Il Barbiere di Siviglia) · Arien und Szenen in deutscher Sprache (2000 Digital Remaster), Act 2: Ist er's wirklich? (Rosine, Figaro, Graf Almaviva) (Ah, Qual Colpo) is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Rossini: Der Barbier von Sevilla (Electrola Querschnitte)". In this album, this song's track order is #9. Der Barbier von Sevilla (Il Barbiere di Siviglia) · Arien und Szenen in deutscher Sprache (2000 Digital Remaster), Act 2: Ist er's wirklich? (Rosine, Figaro, Graf Almaviva) (Ah, Qual Colpo) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Barbier von Sevilla (Il Barbiere di Siviglia) · Arien und Szenen in deutscher Sprache (2000 Digital Remaster), Act 2: Ist er's wirklich? (Rosine, Figaro, Graf Almaviva) (Ah, Qual Colpo) by Cesare Sterbini, Gioachino Rossini, Pierre-Augustin Caron de Beaumarchais, Hermann Prey, Erika Köth, Richard Holm, Gottlob Frick, Berliner Symphoniker, Wilhelm Schüchter, Wilhelm Schuechter having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Morning, Noon and Night in Vienna | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | F Major | 2 | 7B | 80 BPM | ||
Le roi s'amuse: Scene du bouquet | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | F♯ Minor | 0 | 11A | 136 BPM | ||
Rákóczy March | Hector Berlioz, Arthur Fiedler | E Major | 3 | 12B | 106 BPM | ||
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
Ellens Gesang III, Op. 52, No. 6, D. 839 "Ave Maria" | Franz Schubert, Hera Hyesang Park, Sarah Tysman | B♭ Major | 1 | 6B | 81 BPM | ||
Capriccio Espagnol: Scena e canto gitano | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | D Minor | 2 | 7A | 124 BPM | ||
Les Sylphides: 7. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 1 | 12A | 79 BPM | ||
Grieg: Norwegian Dances, Op. 35: No. 1, Allegro marcato | Edvard Grieg, Estonian National Symphony Orchestra, Paavo Järvi | D Major | 2 | 10B | 129 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM |
Section: 0.8854923248291016
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