"Andrea Chénier, 3. Akt: La mamma morta (Philadelphia): Act III: Si, fui soldato" by Umberto Giordano, Pedro Lavirgen, Artist Unknown was released on May 27, 2014. The duration of Andrea Chénier, 3. Akt: La mamma morta (Philadelphia): Act III: Si, fui soldato is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Andrea Chénier, 3. Akt: La mamma morta (Philadelphia): Act III: Si, fui soldato's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pedro Lavirgen, Artist Unknown's "Il mito dell'opera: Pedro Lavirgen (Live)" album is number 14 out of 19. On top of that, Italy appears to be the country where this track was created. Andrea Chénier, 3. Akt: La mamma morta (Philadelphia): Act III: Si, fui soldato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Andrea Chénier, 3. Akt: La mamma morta (Philadelphia): Act III: Si, fui soldato by Umberto Giordano, Pedro Lavirgen, Artist Unknown to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andrea Chenier: Act I: O pastorelle, addio! | Umberto Giordano, James Levine | A Major | 2 | 11B | 120 BPM | ||
Bizet: Carmen, Act 2: "Votre toast, je peux vouz le rendre"/ "Toréador, en garde!" (Escamillo, Carmen, Frasquita, Mercédès, Moralès, Zuniga) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Christian Van Horn, Christina Landshammer, Kostas Smoriginas, Magdalena Kozená, Rachel Frenkel | F Major | 2 | 7B | 111 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" - Remastered | Umberto Giordano, Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda | D♭ Minor | 3 | 12A | 81 BPM | ||
Andrea Chénier / Act 3: "Son la vecchia Madelon ... Amici ancor cantiam" | Umberto Giordano, Elena Obraztsova, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato | C Minor | 0 | 5A | 83 BPM | ||
Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM | ||
Andrea Chenier: Aria "La mamma morta..." | Umberto Giordano, Rico Saccani, Kristjan Johansson, Maria Guleghina, Bela Perencz | D Major | 1 | 10B | 89 BPM | ||
Mario / Arr Schifrin: Around the World Part 9: Santa Lucia Luntana | Márió, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | F Major | 1 | 7B | 76 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Faust: Faust, Act I: Avant de quitter ces lieux | Charles Gounod, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | E♭ Major | 3 | 5B | 86 BPM | ||
Pagliacci: Act I: Vesti la Giubba | Franco Corelli, Ruggero Leoncavallo, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile | G Major | 7 | 9B | 102 BPM |
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