Messiah: Part 1, And lo, the angel of the Lord came upon them (Accompagnato, Soprano)
The Sixteen
Handel: Messiah
0:22 September 1, 2008
BPM
93
Key
A Major
Camelot
11B

Embed

Share Link

Messiah: Part 1, And lo, the angel of the Lord came upon them (Accompagnato, Soprano) - The Sixteen Information

Acousticness
99%
Danceability
31%
Energy
3%
Instrumentalness
0%
Liveness
23%
Loudness
65%
Speechiness
6%
Valence
35%
Popularity
Loudness
-20.723 dB

Summary

The Sixteen's 'Messiah: Part 1, And lo, the angel of the Lord came upon them (Accompagnato, Soprano)' came out on September 1, 2008. With Messiah: Part 1, And lo, the angel of the Lord came upon them (Accompagnato, Soprano) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in The Sixteen's "Handel: Messiah" album is number 15 out of 56. In terms of popularity, Messiah: Part 1, And lo, the angel of the Lord came upon them (Accompagnato, Soprano) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Messiah: Part 1, And lo, the angel of the Lord came upon them (Accompagnato, Soprano) BPM

We consider the tempo marking of Messiah: Part 1, And lo, the angel of the Lord came upon them (Accompagnato, Soprano) by The Sixteen to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.

Messiah: Part 1, And lo, the angel of the Lord came upon them (Accompagnato, Soprano) Key

This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Tantum ergo, WAB 43 by Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards KļavaTantum ergo, WAB 43Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards KļavaA Major211B135 BPM
Stabat Mater pour dix voix et basse continue: I. Stabat Mater dolorosa by Domenico Scarlatti, Vox Luminis, Lionel MeunierStabat Mater pour dix voix et basse continue: I. Stabat Mater dolorosaDomenico Scarlatti, Vox Luminis, Lionel MeunierF Major17B138 BPM
Ave verum corpus in E-Flat Major by Camille Saint-Saëns, Convivium Singers, Neil FerrisAve verum corpus in E-Flat MajorCamille Saint-Saëns, Convivium Singers, Neil FerrisD♭ Major03B81 BPM
Requiem, Op. 9 (1961 version): Agnus Dei by Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel PiquemalRequiem, Op. 9 (1961 version): Agnus DeiMaurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel PiquemalC Major08B126 BPM
Mein gmüth ist mir verwirret by Hans Leo Hassler, AmarcordMein gmüth ist mir verwirretHans Leo Hassler, AmarcordB Major31B111 BPM
Missa Tempore Quadragesimae, MH 553: Sanctus by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiMissa Tempore Quadragesimae, MH 553: SanctusMichael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy VashegyiA Major111B128 BPM
Halt, was du hast by Johann Michael Bach, Vox Luminis, Lionel MeunierHalt, was du hastJohann Michael Bach, Vox Luminis, Lionel MeunierE Minor19A88 BPM
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi by Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph RademannHistoria der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu ChristiHeinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph RademannD♭ Major13B169 BPM
Song of Songs: Nos. 9-11: Vulnerasti cor meum, soror mea by Giovanni Pierluigi da Palestrina, The SixteenSong of Songs: Nos. 9-11: Vulnerasti cor meum, soror meaGiovanni Pierluigi da Palestrina, The SixteenC Minor15A79 BPM
Birthday Ode 1692 Long may she reign over this isle by The SixteenBirthday Ode 1692 Long may she reign over this isleThe SixteenB Minor210A64 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5349774360656738

End: 0.5395903587341309