The Sixteen's 'Messiah: Part 1, And lo, the angel of the Lord came upon them (Accompagnato, Soprano)' came out on September 1, 2008. With Messiah: Part 1, And lo, the angel of the Lord came upon them (Accompagnato, Soprano) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in The Sixteen's "Handel: Messiah" album is number 15 out of 56. In terms of popularity, Messiah: Part 1, And lo, the angel of the Lord came upon them (Accompagnato, Soprano) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah: Part 1, And lo, the angel of the Lord came upon them (Accompagnato, Soprano) by The Sixteen to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tantum ergo, WAB 43 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | A Major | 2 | 11B | 135 BPM | ||
Stabat Mater pour dix voix et basse continue: I. Stabat Mater dolorosa | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F Major | 1 | 7B | 138 BPM | ||
Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | D♭ Major | 0 | 3B | 81 BPM | ||
Requiem, Op. 9 (1961 version): Agnus Dei | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | C Major | 0 | 8B | 126 BPM | ||
Mein gmüth ist mir verwirret | Hans Leo Hassler, Amarcord | B Major | 3 | 1B | 111 BPM | ||
Missa Tempore Quadragesimae, MH 553: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 1 | 11B | 128 BPM | ||
Halt, was du hast | Johann Michael Bach, Vox Luminis, Lionel Meunier | E Minor | 1 | 9A | 88 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
Song of Songs: Nos. 9-11: Vulnerasti cor meum, soror mea | Giovanni Pierluigi da Palestrina, The Sixteen | C Minor | 1 | 5A | 79 BPM | ||
Birthday Ode 1692 Long may she reign over this isle | The Sixteen | B Minor | 2 | 10A | 64 BPM |
Section: 0.5349774360656738
End: 0.5395903587341309