Johann Sebastian Bach, Albrecht Mayer, Sinfonia Varsovia made "Concerto for Harpsichord, Strings, and Continuo No. 5 in F Minor, BWV 1056: II. Largo" available on August 6, 2022. The duration of Concerto for Harpsichord, Strings, and Continuo No. 5 in F Minor, BWV 1056: II. Largo is about 3 minutes long, at 3:05. Based on our data, "Concerto for Harpsichord, Strings, and Continuo No. 5 in F Minor, BWV 1056: II. Largo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 224 in the song's album "Summer Feelings with Bach". In this album, this song's track order is #136. Furthermore, we believe that the track originated from Germany. In terms of popularity, Concerto for Harpsichord, Strings, and Continuo No. 5 in F Minor, BWV 1056: II. Largo is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Concerto for Harpsichord, Strings, and Continuo No. 5 in F Minor, BWV 1056: II. Largo by Johann Sebastian Bach, Albrecht Mayer, Sinfonia Varsovia having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goldberg Variations, BWV 988: Variation 7 a 1 ovvero 2 Clav. | Johann Sebastian Bach, Glenn Gould | G Major | 1 | 9B | 52 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Brandenburg Concerto No. 1 in F BWV1046: I. [Allegro] | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 4 | 12B | 172 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Nocturne No.5 In F Sharp, Op.15 No.2 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 125 BPM |
Section: 0.8033237457275391
End: 0.8081796169281006