"Ave Maria" by Johann Sebastian Bach, Richard Hayman, Philharmonic Symphony Orchestra was released on March 24, 1991. The duration of Ave Maria is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Ave Maria's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 15 in Bach, J.S.: Best of Bach (The) by Johann Sebastian Bach, Takako Nishizaki, Oliver von Dohnanyi, Richard Hayman, Bohdan Warchal, Richard Edlinger, Jaroslav Dvořák. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Ave Maria's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ave Maria by Johann Sebastian Bach, Richard Hayman, Philharmonic Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pie Jesu | Sarah Brightman | G Major | 3 | 9B | 86 BPM | ||
Messiah, HWV 56: Part II: Hallelujah! | George Frideric Handel, RIAS Kammerchor, RIAS-Symphonie-Orchester, Marcus Creed | D Major | 2 | 10B | 105 BPM | ||
Concerto Grosso In G Minor, de Navidad, Op. 6, No. 8: III. Adagio-Allegro-Adagio | Arcangelo Corelli, Orquesta Lírica Bellaterra, José Antonio López de Arjona | E♭ Major | 2 | 5B | 91 BPM | ||
Suite Antique: I. Prelude | John Rutter, Duke Dobing, Wayne Marshall, City of London Sinfonia | A Minor | 1 | 8A | 176 BPM | ||
Vivaldi: Gloria in D Major, RV 589: IV. Gratias agimus tibi & V. Propter magnam gloriam | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | E♭ Major | 3 | 5B | 146 BPM | ||
Schubert: Ave Maria, D. 839 | Franz Schubert, Julie Berthollet, Guillaume Vincent | B♭ Major | 1 | 6B | 134 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Main Title "Somewhere in My Memory" (From "Home Alone") - Voice | John Williams, Boston Pops Orchestra | D Major | 1 | 10B | 101 BPM | ||
Weihnachts-Oratorium, BWV 248, Pt. 1: Pt. II: Sinfonia | Johann Sebastian Bach, Ruth Ziesak, Monica Groop, Christoph Prégardien, Klaus Mertens, Frankfurt Vocal Ensemble, Concerto Cologne, Ralf Otto | D♭ Major | 2 | 3B | 139 BPM |
Section: 0.869722843170166
End: 0.8732819557189941