Modest Mussorgsky, Leonard Bernstein, New York Philharmonic's 'Pictures at an Exhibition: Promenade III' came out on 1962. With Pictures at an Exhibition: Promenade III being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Modest Mussorgsky, Leonard Bernstein's "Mussorgsky: Pictures at an Exhibition & Night on Bald Mountain" album is number 5 out of 16. Pictures at an Exhibition: Promenade III is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Pictures at an Exhibition: Promenade III by Modest Mussorgsky, Leonard Bernstein, New York Philharmonic to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.2: 3. Adagio cantabile | Charles Ives, New York Philharmonic, Leonard Bernstein | F Major | 0 | 7B | 84 BPM | ||
Symphony No. 2 "The Age of Anxiety", Pt. 2: The Epilogue. L'istesso tempo | Leonard Bernstein, Jean-Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 135 BPM | ||
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part One - Game of Abduction (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | F Major | 6 | 7B | 115 BPM | ||
Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 59 BPM | ||
Danse Macabre, Op. 40 | Camille Saint-Saëns, Leonard Bernstein | E♭ Major | 2 | 5B | 107 BPM | ||
Sonata for Clarinet and Piano: I. Grazioso | Leonard Bernstein, Jon Manasse, Jon Nakamatsu | E Minor | 0 | 9A | 102 BPM | ||
Roman Festivals: IV. La Befana | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli, Johannes Geffert | G Major | 0 | 9B | 127 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Zubin Mehta, New York Philharmonic, Isaac Stern, Itzhak Perlman | D Minor | 4 | 7A | 96 BPM | ||
Symphony No. 1 in D Major "Titan": Ic. Sehr gemächlich | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Minor | 0 | 8A | 168 BPM | ||
St Matthew Passion, BWV 244: Part I, No. 1: Chorus "Come, ye Daughters" | Johann Sebastian Bach, Leonard Bernstein, New York Philharmonic | E Minor | 3 | 9A | 64 BPM |
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