"O salutaris" by Pierre Villette, Salisbury Cathedral Boys & Girls Choir, Simon Lole, David Halls was released on June 8, 2010. The duration of O salutaris is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. O salutaris's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 19 in Angels’ Song: The New Music of Salisbury Cathedral by Salisbury Cathedral Boys & Girls Choir, Simon Lole, David Halls. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, O salutaris is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O salutaris by Pierre Villette, Salisbury Cathedral Boys & Girls Choir, Simon Lole, David Halls is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pseudo-Yoik | Jaakko Mäntyjärvi, Chamber Choir 441 Hz, Anna Wilczewska | A Major | 5 | 11B | 76 BPM | ||
Lorca Suite, Op.72: I. Canción de jinete (The Rider) | Einojuhani Rautavaara, Estonian Philharmonic Chamber Choir, Paul Hillier | A Minor | 1 | 8A | 60 BPM | ||
Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
Inviolata, Op. 66 | Pierre Villette, Stephen Layton, The Holst Singers | F Major | 2 | 7B | 73 BPM | ||
6 Partsongs, Op. 18 (Version for Mixed Chorus): No. 3, Venematka | Jean Sibelius, Dominante Choir, Seppo Murto | E Major | 2 | 12B | 105 BPM | ||
Troparion: O Theotokos | Timo Ruottinen, Tampere Orthodox Choir | D Major | 1 | 10B | 135 BPM | ||
Triptych 07: Divine Spirit | Kastalski Mixed Choir | B♭ Minor | 2 | 3A | 124 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
Angelic Symphony | LeoRoads | A Minor | 1 | 8A | 93 BPM | ||
Messe basse: I. Kyrie | Gabriel Fauré, Isabelle Poulenard, Corydon Singers, Matthew Best, John Scott | F Major | 0 | 7B | 140 BPM |
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