"「ソングス・フォー・ザ・・カミング・デイ~来たるべき日への歌」 第2楽章:息吹き" by 雲井雅人サックス四重奏団 was released on October 16, 2013. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in マスランカ:ソングス・フォー・ザ・カミング・デイ&生命の奇跡, so we believe that "「ソングス・フォー・ザ・・カミング・デイ~来たるべき日への歌」 第2楽章:息吹き" is a single. The popularity of 「ソングス・フォー・ザ・・カミング・デイ~来たるべき日への歌」 第2楽章:息吹き is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 「ソングス・フォー・ザ・・カミング・デイ~来たるべき日への歌」 第2楽章:息吹き by 雲井雅人サックス四重奏団 is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six Studies in English Folksong | Gene Pokorny | E Minor | 1 | 9A | 136 BPM | ||
Fantasia for Cello & Orchestra, W454: III. Allegro expressivo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
Concertino für Tuba und Klavier: I. Bewegt | Joseph Bartz, Hans Tönnies | E♭ Major | 0 | 5B | 94 BPM | ||
Tuba Concerto: I. Allegro moderato | Øystein Baadsvik, Singapore Symphony Orchestra, Anne Manson | F Major | 1 | 7B | 117 BPM | ||
カノン - クラリネット・アンサンブル | J. パッヘルベル, ザ・クラリネット・アンサンブル | D Major | 0 | 10B | 94 BPM | ||
Symphony No. 4: Fourth Movement: Chorale | Lee Rogers, Javier Colomer, Jessica Buzbee | E Major | 0 | 12B | 69 BPM | ||
Back To The Future - Live at Muza Kawasaki Symphony Hall / Aug. 19, 2022 | Alan Silvestri, 石田組 | A Major | 4 | 11B | 145 BPM | ||
Serenade No. 12, Op. 88: III. Mascherata | Vincent Persichetti, David Zerkel | A Major | 0 | 11B | 71 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Mélancolie, FP 105 (Arr. Haginomori for Flute and Piano) | Francis Poulenc, Cocomi, Niu Niu | D♭ Major | 1 | 3B | 78 BPM |
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