Armide: Act I: Entr'acte - Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown Information

Acousticness: 66%
Danceability: 36%
Energy: 24%
Instrumentalness: 97%
Liveness: 24%
Loudness: 58%
Speechiness: 5%
Valence: 44%
Popularity: 5%
Loudness: -25.168 dB

Summary

Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown made "Armide: Act I: Entr'acte" available on October 28, 2008. With Armide: Act I: Entr'acte being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jean-Baptiste Lully, Ryan Brown's "Lully, J.: Armide (Opera Lafayette, 2007)" album is number 8 out of 28. Based on our statistics, Armide: Act I: Entr'acte's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Armide: Act I: Entr'acte BPM

We consider the tempo marking of Armide: Act I: Entr'acte by Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown to be Allegro (fast, quick, and bright) because the track has a tempo of 151 BPM, a half-time of 76BPM, and a double-time of 302 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.

Armide: Act I: Entr'acte Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Mistresse Nichols Almand from Lachrimae, or Seaven Teares	John Dowland, Fretwork	B♭ Major	1	6B	150 BPM
Sonata in F Major, TWV 40:103: I. Dolce	Georg Philipp Telemann, Michala Petri	F Major	0	7B	80 BPM
Suite in G Major: V. Capriccio	Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford	F♯ Major	1	2B	80 BPM
Canzona prima a 4, canto alto tenor basso "sopra rugier"	Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies	G Major	2	9B	135 BPM
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro	Jean-Marie Leclair, Fabio Biondi, Europa Galante	B Major	2	1B	83 BPM
Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro	Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek	E Minor	2	9A	102 BPM
Concerto grosso No. 7 in D Major, Op. 6: IV. Allegro - Adagio	Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova	D♭ Major	2	3B	146 BPM
Trumpet Concerto in D Major, FWV L:D1: I. (Allegro)	Johann Friedrich Fasch, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf	A♭ Major	3	4B	94 BPM
Canzona terza a canto solo "detta la Donatina"	Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies	C Major	1	8B	77 BPM
Sinfonia in A Major: III. Presto assai	Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek	A Major	3	11B	113 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.0338966846466064

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