Felix Mendelssohn, John Russo, Péter Nagy's 'Lieder ohne Worte (Songs without Words), Book 8, Op. 102 (arr. J. Russo for clarinet and piano): Lied ohne Worte (Song without Words), Book 8, Op. 102: No. 43 in E Minor, Op. 102, No. 1' came out on March 24, 1991. The duration of Lieder ohne Worte (Songs without Words), Book 8, Op. 102 (arr. J. Russo for clarinet and piano): Lied ohne Worte (Song without Words), Book 8, Op. 102: No. 43 in E Minor, Op. 102, No. 1 is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Lieder ohne Worte (Songs without Words), Book 8, Op. 102 (arr. J. Russo for clarinet and piano): Lied ohne Worte (Song without Words), Book 8, Op. 102: No. 43 in E Minor, Op. 102, No. 1's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Péter Nagy's "Mendelssohn: Songs Without Words, Vol. 2" album is number 24 out of 26. On top of that, Hong Kong appears to be the country where this track was created. Lieder ohne Worte (Songs without Words), Book 8, Op. 102 (arr. J. Russo for clarinet and piano): Lied ohne Worte (Song without Words), Book 8, Op. 102: No. 43 in E Minor, Op. 102, No. 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lieder ohne Worte (Songs without Words), Book 8, Op. 102 (arr. J. Russo for clarinet and piano): Lied ohne Worte (Song without Words), Book 8, Op. 102: No. 43 in E Minor, Op. 102, No. 1 by Felix Mendelssohn, John Russo, Péter Nagy to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Polkas de salon, Op. 7, JB 1:60: No. 2 in F Minor, Moderato molto | Bedřich Smetana, Jitka Čechová | F Minor | 1 | 4A | 112 BPM | ||
Children's Album, Op. 39, TH 141: 16. Old French Song | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | A Major | 2 | 11B | 124 BPM | ||
Années de pèlerinage II, S. 161: IV. Sonetto 47 del Petrarca | Franz Liszt, Lazar Berman | D♭ Major | 0 | 3B | 96 BPM | ||
24 Preludes, Op. 11: No. 13 in G-Flat Major | Alexander Scriabin, Evgeny Zarafiants | F♯ Major | 0 | 2B | 136 BPM | ||
12 German Dances, D790: No.11 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
24 Preludes, Op. 11: No. 8 in F-Sharp Minor | Alexander Scriabin, Evgeny Zarafiants | F Minor | 0 | 4A | 65 BPM | ||
Piano Sonata in E Minor, Op. 7: III. Alla Menuetto, ma poco piu lento | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 1 | 12B | 78 BPM | ||
Variations on a Theme by Robert Schumann, Op. 20: Var. V | Clara Schumann, Benjamin Grosvenor | F♯ Minor | 3 | 11A | 88 BPM | ||
Intermezzo In B Minor, Op. 119 No.1 | Johannes Brahms, Kun-Woo Paik | D Minor | 1 | 7A | 81 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM |
Section: 0.6208689212799072
End: 0.6247215270996094