"Katya Kabanova, JW I/8, Act II Scene 2: "Jste to vy, Katěrino Petrovno?"" by Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Simon O'Neill, Amanda Majeski was released on February 23, 2024. Katya Kabanova, JW I/8, Act II Scene 2: "Jste to vy, Katěrino Petrovno?" is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The track order of this song in Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Simon O'Neill, Katarina Dalayman, Andrew Staples, Ladislav Elgr's "Janáček: Katya Kabanova" album is number 7 out of 32. On top of that, United Kingdom appears to be the country where this track was created. Katya Kabanova, JW I/8, Act II Scene 2: "Jste to vy, Katěrino Petrovno?" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Katya Kabanova, JW I/8, Act II Scene 2: "Jste to vy, Katěrino Petrovno?" by Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Simon O'Neill, Amanda Majeski to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes, Op. 37, BV 181: No. 15 in D-Flat Major | Ferruccio Busoni, Holger Groschopp | D♭ Major | 0 | 3B | 133 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
24 Preludes, Op. 11: No. 4 in E Minor | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 99 BPM | ||
Partita Suite No. 1 for String Orchestra, H.212: III. Andante Moderato | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Major | 0 | 11B | 100 BPM | ||
3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcato | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | C Major | 1 | 8B | 99 BPM | ||
Five pieces for Two Violins and Piano: IV. Waltz- Tempo di Valse. Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | G Minor | 0 | 6A | 140 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Rondeau: Paula | Jean Rondeau, Laurent Muller, Alice Bourlier, Maria Mosconi, Tanguy de Williencourt | F♯ Major | 0 | 2B | 120 BPM | ||
Moderato in A Minor for Cello and Piano, Op. 40a | Dmitri Shostakovich, Emmanuelle Bertrand, Pascal Amoyel | E♭ Major | 1 | 5B | 96 BPM |
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