"Voluntary No.5 in G Major" by William Walond, Peter Hurford was released on July 5, 1987. Voluntary No.5 in G Major is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The song is number 11 out of 15 in Baroque Organ Music by Peter Hurford. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Voluntary No.5 in G Major is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Voluntary No.5 in G Major by William Walond, Peter Hurford is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto No. 4 in E Minor, SF 939 "La Cetra": III. Allegro | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | E♭ Minor | 3 | 2A | 104 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): III. Sarabanda | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | D Minor | 0 | 7A | 98 BPM | ||
Meditation No. 5 | Alexander Därr | E♭ Major | 0 | 5B | 78 BPM | ||
Concerto for 2 violins in D minor 2nd movement | Hajime Mizoguchi | F Major | 1 | 7B | 95 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concerti a più istrumenti in F Major, Op. 6 No. 6, IV. Allegro assai | Evaristo Felice Dall'Abaco, Il Tempio Armonico, Davide Monti, Orchestra Barocca di Verona, Alberto Rasi | B Major | 3 | 1B | 128 BPM | ||
Concerto Armonico No. 1 in G Major: Un poco andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 103 BPM | ||
Concerto Grosso in D Minor, Op. 3, No. 4: III. Largo | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 3 | 7A | 105 BPM | ||
I. Himmelskönig, Sei Willkommen BWV 182: Grave, Adagio | Pieter Jan Leusink, Amsterdam Classics B.V., Jean Van Vugt, Ruth Holton, Bas Ramselaar, Holland Boys Choir, Netherlands Bach Collegium, John Wilson Meyer, Sytse Buwalda, Johann Sebastian Bach, Anneke Boeke, Louis Van Emmerik, Knut Schoch | F♯ Major | 0 | 2B | 79 BPM | ||
Toccatina sopra la ribellione di Ungheria: IV. Sarabande: La sentence | Alessandro Poglietti, Isolde Ahlgrimm | E Minor | 3 | 9A | 67 BPM |
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