"Massenet: Thaïs, Act 2 Tableau 2: Méditation (Andante religioso)" by Jules Massenet, Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart was released on December 31, 1985. With this song being about 5 minutes long, at 5:05, "Massenet: Thaïs, Act 2 Tableau 2: Méditation (Andante religioso)" by Jules Massenet, Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 15 in Barcarole - Beliebte Orchesterstücke by Sir Neville Marriner, Radio Sinfonieorchester Stuttgart, Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Massenet: Thaïs, Act 2 Tableau 2: Méditation (Andante religioso) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Massenet: Thaïs, Act 2 Tableau 2: Méditation (Andante religioso) by Jules Massenet, Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavottes I & II | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 79 BPM | ||
Respighi: Gli uccelli, P. 154: II. La Colomba | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 0 | 11A | 170 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Walzer (a la Paganini), Op. 11 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 164 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Minor | 1 | 5A | 82 BPM | ||
Romance for Strings, Piano and Harmonica | Ralph Vaughan Williams, Tommy Reilly, Academy of St. Martin in the Fields, Sir Neville Marriner | D♭ Major | 1 | 3B | 62 BPM | ||
Orfeo ed Euridice: Dance of the Blessed Spirits | Christoph Willibald Gluck, Slovak State Philharmonic Orchestra, Johannes Wildner | F Major | 0 | 7B | 138 BPM | ||
Concerto grosso in D, Op.6, No.1: 2. Largo | Arcangelo Corelli, Alan Loveday, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 2 | 10A | 71 BPM | ||
Music for the Royal Firework, HWV 351, La Rejouissance: Menuett, Trio, Da Capo, Trio, Da Capo | Academy of St. Martin in the Fields, Sir Neville Marriner, John Constable | D Major | 2 | 10B | 116 BPM |
Section: 0.6155858039855957
End: 0.6214950084686279