"Liturgy No. 1: It Is Truly Meet" by Constantine Nikolaevich Shvedov, PaTRAM Institute Male Choir, Vladimir Gorbik was released on August 1, 2021. With Liturgy No. 1: It Is Truly Meet being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Anton Wranitzky, Reinhard Goebel, Vadim Gluzman, Luzerner Sinfonieorchester, James Gaffigan, Alexander Krichel, Мужской хор “Оптина Пустынь”, PaTRAM Institute Male Choir, Vladimir Gorbik, Mikhail Davydov's "More Honourable than the Cherubim" album is number 17 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Liturgy No. 1: It Is Truly Meet is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Liturgy No. 1: It Is Truly Meet by Constantine Nikolaevich Shvedov, PaTRAM Institute Male Choir, Vladimir Gorbik to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Taste And See | Genrid Martinez | F Major | 1 | 7B | 114 BPM | ||
Милость мира | Хор Свято-Троицкого монастыря и семинарии | A Minor | 2 | 8A | 134 BPM | ||
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): V. Quoniam tu solus sanctus | Philip Stopford, Grace Davidson, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
Messa della Domenica: IV. Agnus Dei | Giovanni Salvatore, Stirps Jesse Ensemble, Fabio Bonizzoni, Enrico De Capitani | C Major | 1 | 8B | 102 BPM | ||
Heliseb Väljadel | Urmas Sisask, Youth choir BALSIS, Gunta Smirnova, Ints Teterovskis, Agita Ikauniece | F Major | 0 | 7B | 77 BPM | ||
Pseudo-Yoik | Jaakko Mäntyjärvi, Chamber Choir 441 Hz, Anna Wilczewska | A Major | 5 | 11B | 76 BPM | ||
Mass in Es, Kyrie | Josef Rheinberger, State Choir Latvija, Māris Sirmais | A♭ Major | 0 | 4B | 104 BPM | ||
By All Your Saints In Warfare | The Schola Cantorum of St. Peter's in the Loop | D Minor | 1 | 7A | 88 BPM | ||
Pingst | John Lindberg, Academy Chamber Choir of Uppsala, Stefan Parkman | D Minor | 1 | 7A | 115 BPM | ||
Gloria | Wayne Hubbard | E♭ Minor | 1 | 2A | 171 BPM |
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