"La Cenerentola (Cinderella), Act II: Nacqui All'affanno E Al Pianto" by Latvian National Symphony Orchestra, Elina Garanca, Gioachino Rossini, Jacopo Ferretti was released on January 1, 2001. Since La Cenerentola (Cinderella), Act II: Nacqui All'affanno E Al Pianto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 10 in Arie Favourite (Mozart / Rossini / Bellini / Donizetti / Massenet) by Felice Romani. Based on our statistics, La Cenerentola (Cinderella), Act II: Nacqui All'affanno E Al Pianto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Cenerentola (Cinderella), Act II: Nacqui All'affanno E Al Pianto by Latvian National Symphony Orchestra, Elina Garanca, Gioachino Rossini, Jacopo Ferretti is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto for Flute, Harp, and Orchestra in C, K.299: 2. Andantino | Wolfgang Amadeus Mozart, Osian Ellis, Karl-Hermann Pillney, Kenneth Smith, Bryn Lewis, Philharmonia Orchestra, Giuseppe Sinopoli | F Major | 1 | 7B | 94 BPM | ||
Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | G Major | 2 | 9B | 98 BPM | ||
Accordion Concerto "What the Wind Told Over the Sea": I. Andante, misterioso | Arturs Maskats, Ksenija Sidorova, Latvian National Symphony Orchestra, Andris Poga | F Major | 0 | 7B | 104 BPM | ||
Fanitullen | Johan Halvorsen, Arve Moen Bergset, Latvian National Symphony Orchestra | D Major | 2 | 10B | 84 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Carnival in Paris, Op. 9 | Johan Svendsen, Latvian National Symphony Orchestra, Terje Mikkelsen | F Major | 1 | 7B | 69 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Bruch: Scottish Fantasy, Op. 46: I. (b) Adagio cantabile | Max Bruch, Itzhak Perlman, Jesús López-Cobos, New Philharmonia Orchestra | E♭ Minor | 0 | 2A | 59 BPM | ||
Dargakmeni, Op. 66: I. Amethysts (Lento) | Jāzeps Vītols, Latvian National Symphony Orchestra, Dmitry Yablonsky | B Major | 1 | 1B | 94 BPM | ||
Holberg Suite, opus 40:Air (Andante religioso) | Academy of St. Martin in the Fields | G Minor | 1 | 6A | 67 BPM |
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