"The Knife" by Richard Rodney Bennett was released on January 21, 2003. With The Knife being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Richard Rodney Bennett's "Murder On The Orient Express - Original Soundtrack" album is number 7 out of 10. On top of that, United States appears to be the country where this track was created. The popularity of The Knife is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Knife by Richard Rodney Bennett to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tales of Beatrix Potter: Introduction & Opening Credits | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | D Major | 2 | 10B | 101 BPM | ||
Concerto For Clarinet & String Orchestra | Benny Goodman, Aaron Copland | D Minor | 2 | 7A | 85 BPM | ||
Beethoven: Epilogue ( Beethoven Piano Concerto no 5 "Emperor" -II ) | Ludwig van Beethoven, Terry Davies, Members Of The London Symphony Orchestra | B Major | 0 | 1B | 81 BPM | ||
By the Sleepy Lagoon | Eric Coates, David Parry, BBC Symphony Orchestra | C Major | 0 | 8B | 135 BPM | ||
Moses and Marco Polo Suite: Theme from "Moses" | Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta | C Minor | 1 | 5A | 109 BPM | ||
Sunset Boulevard - Suite | Franz Waxman, Charles Gerhardt, National Philharmonic Orchestra | G Major | 1 | 9B | 72 BPM | ||
Rodney Bennett: Music for the Robert Bolt's 1973 Movies "Lady Caroline Lamb": No. 3, Caroline and Byron | Richard Rodney Bennett, New Philharmonia Orchestra/Marcus Dods, Marcus Dods, New Philharmonia Orchestra | E♭ Major | 2 | 5B | 41 BPM | ||
The Land of the Mountain and the Flood, Op. 3 | Hamish MacCunn, Royal Ballet Sinfonia, John Wilson | B Major | 1 | 1B | 108 BPM | ||
Guitar Concerto: I. Lento e rubato vivo | Richard Rodney Bennett, Julian Bream, David Atherton | E♭ Major | 2 | 5B | 134 BPM | ||
Sea Change: The isle is full of noises | Richard Rodney Bennett, Simon Wall, Sam Evans, The Cambridge Singers, Charles Fullbrook, John Rutter | D Major | 1 | 10B | 129 BPM |
Section: 0.6910586357116699
End: 0.6965680122375488