"Mozart: Requiem in D Minor, K. 626: XII. Benedictus" by Wolfgang Amadeus Mozart, Daniel Barenboim, Ann Murray, Choeur de l'Orchestre de Paris, David Rendall, Kathleen Battle, Matti Salminen, Orchestre de Paris had its release date on January 1, 1985. This song is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Daniel Barenboim, Orchestre de Paris's "Mozart: Requiem, K. 626" album is number 12 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Mozart: Requiem in D Minor, K. 626: XII. Benedictus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Requiem in D Minor, K. 626: XII. Benedictus by Wolfgang Amadeus Mozart, Daniel Barenboim, Ann Murray, Choeur de l'Orchestre de Paris, David Rendall, Kathleen Battle, Matti Salminen, Orchestre de Paris to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Frühlingsglaube, D. 686 | Франц Шуберт, Franz Schubert, Даниил Трифонов, Valery Gergiev, Симфонический оркестр Мариинского театра | A♭ Major | 0 | 4B | 127 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Molto allegro (Arr. J.N. Hummel for flute, violin, cello and piano) | Wolfgang Amadeus Mozart, Fumiko Shiraga, Henrik Wiese, Peter Clemente, Tibor Benyi | G Minor | 1 | 6A | 114 BPM | ||
Der Stein der Weisen, Act I: Chorus and Solo. Seht doch! Mit gold'nem Geweih | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas | E♭ Major | 2 | 5B | 77 BPM | ||
Piano Concerto No. 17 in G Major, K. 453: III. Allegretto | Wolfgang Amadeus Mozart, Café Zimmermann, Pablo Valetti, Alexander Melnikov | D Major | 2 | 10B | 71 BPM |