"The Hours: The Poet Acts (From "The Hours")" by Philip Glass, Nicolas Horvath was released on June 10, 2016. The duration of The Hours: The Poet Acts (From "The Hours") is about 3 minutes long, at 3:18. Based on our data, "The Hours: The Poet Acts (From "The Hours")" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Philip Glass: Glassworlds, Vol. 4 – On Love". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. The Hours: The Poet Acts (From "The Hours") is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Hours: The Poet Acts (From "The Hours") by Philip Glass, Nicolas Horvath having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Near Light | Ólafur Arnalds, Mari Samuelsen, Hakon Samuelsen, TrondheimSolistene | D Major | 1 | 10B | 132 BPM | ||
Still Life in A | Ryuichi Sakamoto, Jaques Morelenbaum, Judy Kang | C Major | 1 | 8B | 79 BPM | ||
Children's Album No. 1 "Pictures of Childhood": No. 1, Andantino | Aram Khachaturian, Charlene Farrugia | G Minor | 8 | 6A | 80 BPM | ||
Hymn to a Great City | Arvo Pärt, Katia & Marielle Labèque | D♭ Major | 0 | 3B | 115 BPM | ||
I. Movement | Vladimir Martynov, Tatiana Grindenko | A Major | 2 | 11B | 120 BPM | ||
Fragment | Max Richter | F♯ Major | 0 | 2B | 68 BPM | ||
Light | Poppy Ackroyd, Joe Acheson, Ben Thackeray, Mandy Parnell, Poppy Ackroyd;Joe Acheson;Ben Thackeray;Mandy Parnell | E♭ Minor | 1 | 2A | 101 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | G Minor | 0 | 6A | 72 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
Für Alina: Ruhig, verhalten, in sich hineinhorchend | Arvo Pärt, Michael Van Krücker | B Minor | 0 | 10A | 76 BPM |
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