Carl Verheyen's 'Dixie Walk' came out on 1935. The duration of Dixie Walk is about 3 minutes long, at 3:24. Based on our data, "Dixie Walk" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Solo Guitar Improvisations". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Dixie Walk is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dixie Walk by Carl Verheyen having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Start the Car | Ben Poole | B♭ Minor | 7 | 3A | 115 BPM | ||
I Won't Cry | Janiva Magness | G Major | 5 | 9B | 99 BPM | ||
Blues for the Lost and Found | Julian Sas | F Major | 8 | 7B | 152 BPM | ||
I Just Came To Play | Debbie Davies | A Minor | 7 | 8A | 111 BPM | ||
Blue Clouds | Gregor Hilden | G Major | 4 | 9B | 91 BPM | ||
Rigo's Blues | Tom Rigney | G Minor | 2 | 6A | 84 BPM | ||
PEOPLE GOT TO BE FREE | Carl Verheyen | E Major | 8 | 12B | 135 BPM | ||
Being Kept By Fools | Benedict Rasico | F♯ Minor | 5 | 11A | 176 BPM | ||
Bridges Over Timeless Waters | Elise Bonnard | A Minor | 8 | 8A | 121 BPM | ||
Time Might Never Come | Ben Poole | A♭ Minor | 3 | 1A | 120 BPM |
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