"Whitman Tropes: II. Trope 1" by Richard Toensing, Bethany Worrell, William Drury was released on September 1, 2018. The duration of Whitman Tropes: II. Trope 1 is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Whitman Tropes: II. Trope 1's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Night Songs: The Music of Richard Toensing". In this album, this song's track order is #3. Whitman Tropes: II. Trope 1 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Whitman Tropes: II. Trope 1 by Richard Toensing, Bethany Worrell, William Drury having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Whitman Tropes: XI. Coda (ps. 104-24) | Richard Toensing, Bethany Worrell, William Drury | C Major | 1 | 8B | 70 BPM | ||
Cantigas de Santa Maria: Nenbressete Madre de Deus | Alfonso X El Sabio, Alla Francesca, Brigitte Lesne | B Major | 1 | 1B | 87 BPM | ||
Parce Domine | The Schola Cantorum of St. John XXIII Parish | D♭ Minor | 1 | 12A | 137 BPM | ||
Notre Père | Sexteto Cantábile | F♯ Major | 1 | 2B | 84 BPM | ||
Tempo Dell'Umiliazione E Della Morte. Inno: Gloria Laus | Canonici Regolari Si Sant'Antimo | A Major | 0 | 11B | 143 BPM | ||
No One who Comes to You | Lege Artis Chamber Choir, Boris Abalyan | B♭ Minor | 0 | 3A | 65 BPM | ||
Exapostilarion (Mode III) | Holy Cross Greek Orthodox School of Theology St. Romanos the Melodist Byzantine Choir | E Major | 4 | 12B | 137 BPM | ||
Let All Mortal Flesh | Father Sergei Glagolev, Cappella Romana | E Minor | 1 | 9A | 67 BPM | ||
Chant Lithurgique (Paix Avec Nous) | Ensemble des chants et choeurs russes orthodoxes | D♭ Minor | 0 | 12A | 74 BPM | ||
Communion for Mid-Pentecost (Arr. A. Lingas) [Live] | John Plousiadenos, John Michael Boyer, Mark Powell, Cappella Romana, Alexander Lingas | G Minor | 2 | 6A | 128 BPM |
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