Johan Helmich Roman, Höör Barock, Dan Laurin made "Golovinmusiken, BeRI 1: No. 21, Bourrée" available on March 1, 2019. With Golovinmusiken, BeRI 1: No. 21, Bourrée being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Johan Helmich Roman, Höör Barock, Dan Laurin's "Johan Helmich Roman: Golovinmusiken, BeRI 1" album is number 21 out of 45. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, Golovinmusiken, BeRI 1: No. 21, Bourrée's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Golovinmusiken, BeRI 1: No. 21, Bourrée by Johan Helmich Roman, Höör Barock, Dan Laurin to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in G Major, H. 657, Wq. 182/1: I. Allegro di molto | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Sinphonia No. 5 for Strings & Continuo in F Major, Op. 1.10: II. Presto | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E♭ Major | 2 | 5B | 105 BPM | ||
Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 110 BPM | ||
Assaggio per violino solo in D Minor, BeRI 311: IV. | Johan Helmich Roman, Fabio Biondi | G Minor | 1 | 6A | 171 BPM | ||
No Heathen | Marc Ezenge | F Minor | 1 | 4A | 154 BPM | ||
Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Concerto primo in G Major: III. Allegro assai | Baldassare Galuppi, Ensemble StilModerno | G Major | 1 | 9B | 88 BPM | ||
Two Airs for a Violin or German Flute, Violin, Cello & Harpsichord: Auld Bob Morrice. Affetuoso - Allegro | Francesco Geminiani, Rachel Podger, Brecon Baroque | F♯ Major | 1 | 2B | 97 BPM | ||
Trio Sonata in C Major, BuxWV 256: V. Adagio - Allegro | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM |
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