Sergei Prokofiev, Gidon Kremer, Martha Argerich made "5 Mélodies, Op. 35bis: II. Lento, ma non troppo - Poco più mosso - Tempo I" available on May 8, 2020. The duration of 5 Mélodies, Op. 35bis: II. Lento, ma non troppo - Poco più mosso - Tempo I is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. 5 Mélodies, Op. 35bis: II. Lento, ma non troppo - Poco più mosso - Tempo I's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Prokofiev: Essentiel". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. 5 Mélodies, Op. 35bis: II. Lento, ma non troppo - Poco più mosso - Tempo I is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With 5 Mélodies, Op. 35bis: II. Lento, ma non troppo - Poco più mosso - Tempo I by Sergei Prokofiev, Gidon Kremer, Martha Argerich having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Romanian Folk Dances, Sz.56: I. Allegro moderato | Béla Bartók, Kurt Nikkanen, Rohan De Silva | A Minor | 0 | 8A | 80 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: Grandfather | Jeremy Siepmann | B Minor | 0 | 10A | 94 BPM | ||
Sylvia: Act I: Valse lente | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 111 BPM | ||
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 1. Adagio | Johann Sebastian Bach, Hilary Hahn | G Minor | 1 | 6A | 84 BPM |
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