"Madama Butterfly / Act 1: L'Imperial Commissario" by Giacomo Puccini, Luciano Pavarotti, Michel Sénéchal, Erna Maria Muhlberger, Mirella Freni, Eva Maria Hurdes, Martha Heigl, Wolfgang Schneider, Robert Kerns, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan was released on January 1, 1974. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 41 in the song's album "Puccini: Madama Butterfly". In this album, this song's track order is #8. Madama Butterfly / Act 1: L'Imperial Commissario is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madama Butterfly / Act 1: L'Imperial Commissario by Giacomo Puccini, Luciano Pavarotti, Michel Sénéchal, Erna Maria Muhlberger, Mirella Freni, Eva Maria Hurdes, Martha Heigl, Wolfgang Schneider, Robert Kerns, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen / Act 1: "Près des remparts de Séville" | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 83 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Madama Butterfly / Act 2: Addio fiorito asil | Giacomo Puccini, Luciano Pavarotti, Robert Kerns, Elke Schary, Christa Ludwig, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 135 BPM | ||
La Favorita - Italian version - Act 1: Parla, figlio..... Una vergine, un'angel di Dio | Gaetano Donizetti, Nicolai Ghiaurov, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | A Major | 1 | 11B | 91 BPM | ||
Pagliacci / Act 1: "I zampognari!" | Ruggero Leoncavallo, Luciano Pavarotti, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 2 | 8B | 122 BPM | ||
La Favorita - Italian version / Act 4: Spirto gentil | Gaetano Donizetti, Luciano Pavarotti, Wiener Opernorchester, Sir Edward Downes | B♭ Major | 1 | 6B | 81 BPM | ||
Cantate con me | Cesare Andrea Bixio, Luciano Pavarotti, Andrea Griminelli, Orchestra del Teatro Comunale di Bologna, Henry Mancini | B♭ Major | 3 | 6B | 86 BPM | ||
Die Walküre / Dritter Aufzug: "Denn einer nur freie die Braut" | Richard Wagner, Hans Hotter, Wiener Philharmoniker, Sir Georg Solti | D Major | 1 | 10B | 94 BPM | ||
Tosca / Act 3: "Franchigia a Floria Tosca" | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 64 BPM | ||
La traviata / Act 2: "Che fai?" "Nulla" | Giuseppe Verdi, Cheryl Studer, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | F♯ Minor | 5 | 11A | 100 BPM |
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