Erik Satie, Susan Manoff, David Levi's ' "La belle excentrique (fantasie sérieuse) - Version for Four-Handed Piano: Grand ritournelle" was released on its scheduled release date, June 20, 2020. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Erik Satie's "Masters - Satie" album is number 8 out of 48. On top of that, Germany appears to be the country where this track was created. Based on our statistics, La belle excentrique (fantasie sérieuse) - Version for Four-Handed Piano: Grand ritournelle's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of La belle excentrique (fantasie sérieuse) - Version for Four-Handed Piano: Grand ritournelle by Erik Satie, Susan Manoff, David Levi to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Gnossienne: No. 2 | Erik Satie, Alexandre Tharaud | D Minor | 0 | 7A | 71 BPM | ||
Sleeping Lotus | Joep Beving | G Minor | 0 | 6A | 69 BPM | ||
Reverie du Pauvre | Takashi Yoshimatsu, Erik Satie, Pascal Rogé | E Minor | 0 | 9A | 67 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
Lullaby for Nick | Elena Kats-Chernin, Tamara Anna Cislowska | A Minor | 0 | 8A | 95 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Ma mère l'Oye, M. 60: I. Pavane de la belle au bois dormant - Lent | Maurice Ravel, Louis Lortie, Hélène Mercier | C Major | 0 | 8B | 116 BPM | ||
Gnossienne: No. 1 (Arr. for Viola and Harp) | Carrie Frey, Sonia Bize | F Major | 0 | 7B | 75 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM |