"聖ウルスラのための朝のアンティフォナ Studium divinitatis, Unde quocumque venientes" by Girl Choristers, Lay Clerks of Winchester Cathedral, Sarah Baldock Conductor was released on December 12, 2018. With 聖ウルスラのための朝のアンティフォナ Studium divinitatis, Unde quocumque venientes being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 大聖堂で聞く聖歌の世界 7~舞い降りた天使たち ホルスト アヴェマリア 他, so we believe that "聖ウルスラのための朝のアンティフォナ Studium divinitatis, Unde quocumque venientes" is a single. 聖ウルスラのための朝のアンティフォナ Studium divinitatis, Unde quocumque venientes is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 聖ウルスラのための朝のアンティフォナ Studium divinitatis, Unde quocumque venientes by Girl Choristers, Lay Clerks of Winchester Cathedral, Sarah Baldock Conductor is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tenebrae Responsories - Matins Responsories for good Friday: Nocturn III - Caligaverunt oculi mei a fletu meo | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
Vilana, Che Sa Tu Far? | Piffaro, The Concord Ensemble | G Major | 1 | 9B | 108 BPM | ||
Hierarchical Entrance Rite for a Byzantine Divine Liturgy: IV. Glory. Both Now. | Cappella Romana, Mark Powell, Leslie Green, John M. Boyer, Alexander Lingas | F Major | 1 | 7B | 125 BPM | ||
Versi sopra la messa della Madonna: IV. Agnus dei | Giovanni Salvatore, Nova Schola Gregoriana, In Dulci Jubilo, Federico del Sordo, Alberto Turco | D♭ Major | 3 | 3B | 114 BPM | ||
Advent Chant Rorate coeli | The Monks of Clear Creek | D Minor | 0 | 7A | 119 BPM | ||
Oratio Dominica | Santum | F Major | 1 | 7B | 79 BPM | ||
Aurora Surgit Aurea | Benedyktyni Opactwa Tynieckiego | E Major | 1 | 12B | 81 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Who Is Lord, Our God | Komitas, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | E Major | 1 | 12B | 68 BPM | ||
Parce Domine | Jacob Obrecht, Odhecaton, Paolo da Col | E♭ Minor | 1 | 2A | 91 BPM | ||
Tenebrae Responsories - Matins Responsories for Holy Saturday: Nocturn II - Ecce quomodo moritur iustus | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM |
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