"Symphonie espagnole, Op. 21: V. Rondo" by Édouard Lalo, Aaron Rosand, SWR Symphony Orchestra, Tibor Szoke was released on January 1, 1995. Since Symphonie espagnole, Op. 21: V. Rondo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Violin Recital: Works of Sibelius, Tchaikovsky, Berlioz & Others by Aaron Rosand, Rolf Reinhardt, Tibor Szoke. The song's track number on the album is #9 out of 20 tracks. Based on our data, United States was the country where this track was produced or recorded. Symphonie espagnole, Op. 21: V. Rondo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Symphonie espagnole, Op. 21: V. Rondo by Édouard Lalo, Aaron Rosand, SWR Symphony Orchestra, Tibor Szoke has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Symphonie espagnole, Op. 21: V. Rondo being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: II. Adagio | Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | C Major | 1 | 8B | 131 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 1 | 10B | 83 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Le Roi d'Ys, Act III: "Puisqu'on ne peut fléchir... Vainement, ma bien-aimée" | Édouard Lalo, Édouard Blau, David Hobson, Marco Guidarini, Tasmanian Symphony Orchestra | B Major | 5 | 1B | 145 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): III. Tempo giusto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 106 BPM | ||
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: IV. Burlesque. Allegro con brio - Presto | Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | E♭ Major | 7 | 5B | 160 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo - Adagio | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi | D♭ Major | 0 | 3B | 69 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | C Major | 1 | 8B | 138 BPM | ||
Capriccio for Viola Solo in C Minor, Op. 55 "Hommage à Paganini" | Henri Vieuxtemps, Vidor Nagy | A♭ Major | 0 | 4B | 80 BPM |
Section: 0.595754861831665
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