Barry Tattenhall, London Concert Orchestra, Peter Yorke, Louis Voss, Bosworth’s String Orchestra, Bosworth's Symphonic String Orchestra, International Radio Orchestra, London Bijou Players, Louis Voss Grand Orchestra, Louis Voss Orchestra, National Light Orchestra, Peter Yorke Orchestra, Regent Classic Orchestra, West End Celebrity Orchestra made "April Day" available on July 1, 2005. The duration of April Day is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. April Day's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "The Golden Age of Light Music: Highdays and Holidays". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, April Day's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With April Day by Barry Tattenhall, London Concert Orchestra, Peter Yorke, Louis Voss, Bosworth’s String Orchestra, Bosworth's Symphonic String Orchestra, International Radio Orchestra, London Bijou Players, Louis Voss Grand Orchestra, Louis Voss Orchestra, National Light Orchestra, Peter Yorke Orchestra, Regent Classic Orchestra, West End Celebrity Orchestra having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I'll Always Love You | Martha Tilton | A♭ Major | 2 | 4B | 134 BPM | ||
Bicycle Built for Two | The Gaslight Orchestra | E♭ Major | 2 | 5B | 128 BPM | ||
Fashionelle | Jack Shaindlin | F Minor | 3 | 4A | 83 BPM | ||
8 Humoresques, Op. 101, B. 187, No. 7. Poco lento e grazioso in G-Flat Major: 8 Humoresques, Op. 101, B. 187: No. 7, Poco lento e grazioso in G-Flat Major | Antonín Dvořák, Fred Kreitzer, Francis Vigneau, Guy Lombardo Royal Canadians, Guy Lombardo | E♭ Major | 1 | 5B | 142 BPM | ||
等待又等待 | 甜心女聲合唱團 | F Major | 1 | 7B | 67 BPM | ||
Tomboy | Valentino | F Major | 2 | 7B | 99 BPM | ||
Silver Heels | Albert White And His Gaslight Orchestra | D Major | 3 | 10B | 116 BPM | ||
El Matador | Austin Egen, Bert Reisfeld | E♭ Major | 4 | 5B | 138 BPM | ||
Winning | Peter Deunov, Monte-Carlo Philharmonic Orchestra | C Major | 3 | 8B | 89 BPM | ||
Ain't We Got Fun | Mitch Miller & The Gang | D♭ Major | 8 | 3B | 80 BPM |
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