"Mozart: Requiem in D Minor, K. 626: VI. Recordare" by Wolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker was released on 1987. Mozart: Requiem in D Minor, K. 626: VI. Recordare is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Riccardo Muti's "Mozart: Requiem" album is number 6 out of 15. Mozart: Requiem in D Minor, K. 626: VI. Recordare is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Requiem in D Minor, K. 626: VI. Recordare by Wolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Schöpfung, Hob. XXI:2 / Dritter Teil: 30. Duett mit Chor: "Von deiner Güt', o Herr und Gott - Der Sterne hellster, o wie schön" | Franz Joseph Haydn, Gundula Janowitz, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | C Major | 2 | 8B | 100 BPM | ||
The Magic Flute, Act II: Tamino, mine, welcome at last | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Rebecca Evans, Barry Banks, Two Armed Men | E♭ Major | 2 | 5B | 131 BPM | ||
Requiem In D Minor, K.626: 3. Sequentia: Recordare | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Helga Muller-Molinari, Vinson Cole, Paata Burchuladze, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 77 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: III. Allegro non troppo - Allegro molto vivace | Felix Mendelssohn, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 78 BPM | ||
Requiem aeternam: Dies irae | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 3 | 7A | 88 BPM | ||
Requiem in D minor, K.626: 1. Introitus: Requiem | Wolfgang Amadeus Mozart, Barbara Bonney, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Minor | 1 | 7A | 90 BPM | ||
Quintettino Op.30 No.6, G.324: 5. Ritirata | Luigi Boccherini, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 130 BPM | ||
Requiem KV 626: Rex Tremendae | Nicol Matt, Thomas Pfeiffer, Reinhard Geller, Wolfgang Amadeus Mozart, Pamela Heuvelmans, Robert Morvaj, Süddeutsches Kammerorchester Pforzheim; Chamber Choir Of Europe, Barbara Werner | G Minor | 1 | 6A | 90 BPM | ||
Brahms: Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato | Johannes Brahms, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 2 | 9A | 88 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 3. Scherzo | Robert Schumann, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 125 BPM |
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