"Mass for Modern Man: VI. Loss of Faith and Hope for the Future" by Ståle Kleiberg, Jessica Gordon, Trondheim Symphony Orchestra, Eivind Gullberg Jensen was released on February 26, 2017. Since Mass for Modern Man: VI. Loss of Faith and Hope for the Future is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Ståle Kleiberg: Mass for Modern Man". In this album, this song's track order is #6. In terms of popularity, Mass for Modern Man: VI. Loss of Faith and Hope for the Future is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mass for Modern Man: VI. Loss of Faith and Hope for the Future by Ståle Kleiberg, Jessica Gordon, Trondheim Symphony Orchestra, Eivind Gullberg Jensen having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nightingales Sing In Berkeley Square | Carrie Baynes | D♭ Major | 1 | 3B | 81 BPM | ||
Toward the Sea II: I. The Night | Toru Takemitsu, Yolanda Kondonassis, Joshua Smith, Bridget-Michaele Reischl, Oberlin 21 | E♭ Major | 0 | 5B | 107 BPM | ||
Mumuki (Arr. for Violin & String Orchestra by Ken Selden) | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
Tout un monde lointain…: II. Regard | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
Chants de Terre et de Ciel: No. 2, Antienne du silence (pour le jour des Anges gardiens) | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | A Minor | 1 | 8A | 112 BPM | ||
Timo Andres: Upstate Obscura: 2. Mazes and Mirrors | Timo Andres, Metropolis Ensemble, Andrew Cyr, Inbal Segev | A♭ Major | 2 | 4B | 89 BPM | ||
Concerto for String Orchestra: II. Andante | Graźnya Bacewicz, Sinfonia Of London, John Wilson | A Minor | 4 | 8A | 130 BPM | ||
Blå Skygge - Blue Shadow: Preludium | Yngve Slettholm, Vegard Landaas, Sidsel | D♭ Major | 0 | 3B | 150 BPM | ||
Toc de fabiol | Pau Marquès i Oleo, Belinfante Quartet | F Major | 2 | 7B | 127 BPM | ||
Act I, Scene VI, Eat! Drink! (Uriah, David) | Ståle Kleiberg, Jessica Gordon, Tõnu Kaljuste, Trondheim Symphony Orchestra | D♭ Minor | 2 | 12A | 78 BPM |
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