Antonio Salieri, Nicolas-François Guillard, Christophe Rousset, Cyrille Dubois, Les Talens Lyriques, Judith van Wanroij's 'Les Horaces, Acte II, Scène 5: Par l'amour' came out on 2016. The duration of Les Horaces, Acte II, Scène 5: Par l'amour is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Les Horaces, Acte II, Scène 5: Par l'amour's duration is considered a little bit shorter than the average duration of a typical track. The song is number 29 out of 55 in Antonio Salieri: Les Horaces by Antonio Salieri, Nicolas-François Guillard, Julien Dran, Jean-Sébastien Bou, Judith van Wanroij, Andrew Foster-Williams, Christophe Rousset, Les Talens Lyriques, Cyrille Dubois, Les Chantres du Centre de Musique Baroque de Versailles. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Les Horaces, Acte II, Scène 5: Par l'amour's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Horaces, Acte II, Scène 5: Par l'amour by Antonio Salieri, Nicolas-François Guillard, Christophe Rousset, Cyrille Dubois, Les Talens Lyriques, Judith van Wanroij is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Palmira regina di Persia: VIII. Larghetto | Antonio Salieri, Consortium Classicum | G Major | 1 | 9B | 132 BPM | ||
Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 0 | 6B | 86 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Tarare, Prologue, Scène 1: Ouverture « C'est assez troubler l'univers » (La Nature et les Vents déchaînés) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Judith van Wanroij, Les Chantres du Centre de Musique Baroque de Versailles | G Major | 0 | 9B | 169 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
Der Fischer und das Milchmädchen: XIII. Molto moderato | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Violin Concerto No. 2 In E Major, BWV 1042: I. Allegro | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | E Major | 4 | 12B | 96 BPM | ||
Violin Concerto in D Major, Op. 3, No. 1: Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 126 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM | ||
Romance for Viola & Orchestra in F Major, Op. 85 | Max Bruch, Yuri Bashmet, Neeme Järvi | F Major | 0 | 7B | 105 BPM |
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