"A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: She resists no longer – they embrace" by Béla Bartók, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop was released on April 1, 2005. The duration of A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: She resists no longer – they embrace is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: She resists no longer – they embrace's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 22 in Bartok: Miraculous Mandarin (The) (Complete Ballet) / Hungarian Pictures / Dance Suite by Béla Bartók. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: She resists no longer – they embrace is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: She resists no longer – they embrace by Béla Bartók, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
Kitsch-Musik: I. Allegro vivace | Valentin Silvestrov, Elisaveta Blumina | G Minor | 0 | 6A | 66 BPM | ||
Toccata | Aram Khachaturian, Karine Poghosyan | A♭ Minor | 2 | 1A | 104 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
Fifteen Hungarian Peasant Songs, Sz 71: Fifteen Hungarian Peasant Songs, Sz 71: Four Old Songs, I. Rubato | Béla Bartók, Alain Planes | A Minor | 0 | 8A | 74 BPM | ||
The Miraculous Mandarin, Sz. 73: Suddenly the Mandarin's Head Appears Between the Pillows | Béla Bartók, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 107 BPM | ||
Sonata For 2 Pianos And Percussion, Sz. 110: 3. Allegro non troppo | Béla Bartók, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | A Major | 3 | 11B | 140 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM |
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