Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 77.4 - Wie Google tickt - How Google Works" available on January 8, 2015. With Kapitel 77.4 - Wie Google tickt - How Google Works being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #166 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 77.4 - Wie Google tickt - How Google Works is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 77.4 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 77.4 - Wie Google tickt - How Google Works being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kapitel 81.2 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | A♭ Major | 2 | 4B | 85 BPM | ||
Bei dir ist es traut | Alma Mahler, Kaleidoscope Chamber Collective, Francesca Chiejina | A♭ Major | 3 | 4B | 69 BPM | ||
Songs of the Fleet, Op. 117: I. Sailing at Dawn | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | E♭ Major | 1 | 5B | 71 BPM | ||
Handel: Messiah, HWV 56, Pt. 1, Scene 5: Aria. "Rejoice Greatly, O Daughter of Zion" | George Frideric Handel, Sir Neville Marriner, Kathleen Battle, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 93 BPM | ||
Stabat Mater, FP 148: IX. Sancta mater | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | B♭ Minor | 2 | 3A | 87 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 13, Trio and Chorus. "The Heavens Are Telling" (Chorus, Gabriel, Uriel, Raphael) | Joseph Haydn, Sir Simon Rattle, Arleen Auger, City of Birmingham Symphony Chorus, David Thomas, Philip Langridge, City Of Birmingham Symphony Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
Grande Messe en ut mineur, K. 427: Et incarnatus est | Wolfgang Amadeus Mozart, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Mechthild Georg, Alexander Stevenson, Philip Langshaw | A Minor | 3 | 8A | 168 BPM | ||
Don Giovanni, K. 527, Act II: Aria: Il mio tesoro intanto | Wolfgang Amadeus Mozart, Michael Spyres, Moscow Chamber Orchestra, Constantine Orbelian | F Major | 1 | 7B | 100 BPM | ||
Requiem, Op. 9: V. Pie Jesu | Maurice Duruflé, Yves Castagnet, Anaïs Bertrand, Anaïs Moreau, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
Walking with an Angel | Laura Millocca, Ernesto Vallini, Valhalla Orquestra, Greg Dramund | F Minor | 1 | 4A | 72 BPM |
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