- BPM
- 88
- Key
- D♭ Major
- Camelot
- 3B
"Kommt, eilet und laufet" Cantata, BWV 249 - "Oster-Oratorium" - Version: Paul McCreesh: 11. Chorus: Preis und Dank - Johann Sebastian Bach, Kimberly McCord, Robin Blaze, Paul Agnew, Neal Davies, Gabrieli, Paul McCreesh Information
- Acousticness
- 97%
- Danceability
- 31%
- Energy
- 28%
- Instrumentalness
- 56%
- Liveness
- 6%
- Loudness
- 72%
- Speechiness
- 4%
- Valence
- 58%
- Popularity
- 0%
- Loudness
- -17.025 dB
Summary
Johann Sebastian Bach, Kimberly McCord, Robin Blaze, Paul Agnew, Neal Davies, Gabrieli, Paul McCreesh made ""Kommt, eilet und laufet" Cantata, BWV 249 - "Oster-Oratorium" - Version: Paul McCreesh: 11. Chorus: Preis und Dank" available on April 3, 2021. The duration of "Kommt, eilet und laufet" Cantata, BWV 249 - "Oster-Oratorium" - Version: Paul McCreesh: 11. Chorus: Preis und Dank is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. "Kommt, eilet und laufet" Cantata, BWV 249 - "Oster-Oratorium" - Version: Paul McCreesh: 11. Chorus: Preis und Dank's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 50 in Bach - Easter by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. "Kommt, eilet und laufet" Cantata, BWV 249 - "Oster-Oratorium" - Version: Paul McCreesh: 11. Chorus: Preis und Dank is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
"Kommt, eilet und laufet" Cantata, BWV 249 - "Oster-Oratorium" - Version: Paul McCreesh: 11. Chorus: Preis und Dank BPM
The tempo marking of "Kommt, eilet und laufet" Cantata, BWV 249 - "Oster-Oratorium" - Version: Paul McCreesh: 11. Chorus: Preis und Dank by Johann Sebastian Bach, Kimberly McCord, Robin Blaze, Paul Agnew, Neal Davies, Gabrieli, Paul McCreesh is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
"Kommt, eilet und laufet" Cantata, BWV 249 - "Oster-Oratorium" - Version: Paul McCreesh: 11. Chorus: Preis und Dank Key
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue | Johann Sebastian Bach, Yo-Yo Ma | G Major | 2 | 9B | 128 BPM | |
 | Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. — | Johann Sebastian Bach, Monica Huggett, John Toll, Pavlo Beznosiuk, Richard Campbell, Richard Tunnicliffe, Sarah Cunningham, William Hunt, Orchestra of the Age of Enlightenment | A Major | 2 | 11B | 100 BPM | |
 | Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | |
 | Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Zubin Mehta, New York Philharmonic, Isaac Stern, Itzhak Perlman | F Major | 2 | 7B | 83 BPM | |
 | Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM | |
 | Concerto for 2 Harpsichords in C Minor, BWV 1060: III. Allegro (Arr. for Violin, Oboe, Strings & Continuo) | Johann Sebastian Bach, Hilary Hahn, Allan Vogel, Los Angeles Chamber Orchestra, Jeffrey Kahane | C Minor | 5 | 5A | 116 BPM | |
 | 6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | |
 | Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | |
 | Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | |
 | Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM |
- ISRC
- DEN960030411
- Label
- L-M Records/RCA Records
Section: 0.7796988487243652
End: 0.7832098007202148