Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar, Pino de Vittorio, Hans-Jörg Mammel's 'La Villanella, Terza parte, Alle nozze: V. Tarantella di Sannicandro' came out on 2000. The duration of La Villanella, Terza parte, Alle nozze: V. Tarantella di Sannicandro is about 3 minutes long, at 3:13. Based on our data, "La Villanella, Terza parte, Alle nozze: V. Tarantella di Sannicandro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar, Johannette Zomer, Pino de Vittorio's "Kapsberger: La Villanella" album is number 21 out of 22. On top of that, France appears to be the country where this track was created. La Villanella, Terza parte, Alle nozze: V. Tarantella di Sannicandro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Villanella, Terza parte, Alle nozze: V. Tarantella di Sannicandro by Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar, Pino de Vittorio, Hans-Jörg Mammel to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dernière courente de Gautier | Denis Gaultier, Bernhard Hofstötter | D♭ Minor | 1 | 12A | 148 BPM | ||
Pass'emezzo moderno | Diego Ortiz, Paolo Pandolfo | F♯ Major | 2 | 2B | 144 BPM | ||
Apotheosis sive Consecratio SS Ignatii et Francisci Xaverii: Act V: De trojanis enata rogis (Chorus of all nations) | Giovanni Girolamo Kapsberger, Ellen Hargis, Ryan Turner, Steven Rickards, Michael Collver, Randalk K. Wong, Anne Harley, Terrance Barber,, Roberta Anderson, Donald Wilkinson, Mark McSweeney, John Elwes, Ensemble Abendmusik, James David Christie | A Minor | 0 | 8A | 76 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM | ||
Canzon la Gentile | Giovanni Paolo Cima, Harmonia Recorder Ensemble | C Major | 0 | 8B | 70 BPM | ||
Suite in C Minor from Ms. Lobkowicz: V. La volage Passacaille | Charles Mouton, Anders Ericson | B Minor | 1 | 10A | 103 BPM | ||
Spagnoletta | Michael Praetorius, Atrium Musicae de Madrid, Gregorio Paniagua | B♭ Major | 1 | 6B | 70 BPM | ||
The Dancing Master: Hyde Park | John Playford, The Broadside Band, Jeremy Barlow | D Major | 1 | 10B | 114 BPM | ||
Libro III d'intavolatura di chitarone: Toccata VII | Giovanni Girolamo Kapsberger, Jakob Lindberg | G Major | 1 | 9B | 121 BPM |
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