"St. Magnus "The Head That Once Was Crowned with Thorns"" by Jeremiah Clarke, The Choir of Kings School, Canterbury, Matthew Martin, Howard Ionascu, Unknown Artist was released on January 11, 2003. The duration of St. Magnus "The Head That Once Was Crowned with Thorns" is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. St. Magnus "The Head That Once Was Crowned with Thorns"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "The Complete New English Hymnal, Vol. 16". In this album, this song's track order is #19. St. Magnus "The Head That Once Was Crowned with Thorns" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With St. Magnus "The Head That Once Was Crowned with Thorns" by Jeremiah Clarke, The Choir of Kings School, Canterbury, Matthew Martin, Howard Ionascu, Unknown Artist having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
No More the Grave | Jeff Lippencott, Various Artists, Northwest Sinfonia Orchestra | G Major | 2 | 9B | 90 BPM | ||
The Church's One Foundation | Samuel Sebastian Wesley, Samuel J. Stone | D Major | 3 | 10B | 94 BPM | ||
Laudes de Sainte Ursule (Excerpts Arr. for Chamber Ensemble): I. Deus in adjutorium meum intende | Hildegard von Bingen, Flores Harmonici, Unknown Artist | C Major | 0 | 8B | 80 BPM | ||
Stand Up and Bless the Lord | The Coventry Singers | D Minor | 1 | 7A | 73 BPM | ||
Here Is Love, Vast As The Ocean | Swansea Gospel Male Voice Choir | E Major | 4 | 12B | 74 BPM | ||
Thanks Be to God | Stephen Dean | D Major | 2 | 10B | 80 BPM | ||
I Will Praise Him / Jesus Paid It All | The Majesty And Glory Performers | D Major | 2 | 10B | 162 BPM | ||
Highland Hymn | Jeff Lippencott, Various Artists, Northwest Sinfonia Orchestra | F Major | 2 | 7B | 69 BPM | ||
Join in Heaven's Praise | The Wilds | A Major | 2 | 11B | 85 BPM | ||
Divine Mysteries "Sweet Sacrament Divine" | Francis Stanfield, Ely Cathedral Choir, Scott Farrell, Paul Trepte | E♭ Major | 1 | 5B | 134 BPM |
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